REVIEW: Les glaneurs et la glaneuse [The Gleaners and I] [2000]

“There’s no shame, just worries” What makes Agnès Varda such an integral voice in cinema is her colloquial way of engaging subjects. Everything appears as though unplanned when she visits locales believed to align with her current topic so as to capture unknown truths and adventure. None of her work does this better than Les glaneurs et la glaneuse [The Gleaners and I]: a French road-trip in honor of Jean-François Millet‘s 1857 painting The Gleaners at the Musée d’Orsay. In it she travels with a hand-held camcorder to unearth the…

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