Picking Winners at the 87th Annual Academy Awards

Things look pretty cut and dry where the Academy is concerned in 2015. The Oscars are always a somewhat watered-down look at what really mattered in the past year of cinema and this installment is no exception. In fact, it may be all water at this point. That doesn’t mean there can’t be some intriguing surprises in the second-tier categories like Best Animated Feature (I really hope How to Train Your Dragon 2 loses to one of the other much more aesthetically and conceptually unique nominees) or Short Film Animated…

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Posterized Propaganda January 2015: The Top 10 Movie Posters of 2014

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column (with a special year-end retrospective today) focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. I usually find myself needing to whittle down a list of around twenty posters to the fifteen showcased below. For 2014, however, my list…

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INTERVIEW: Richard Ayoade, cowriter/director of The Double

I didn’t know who Richard Ayoade was until 2010 and boy was it the perfect time to find out. My introduction was courtesy of the brilliant British television show “The IT Crowd” and his fantastically drawn Maurice Moss. I had tried watching the show a couple years previously only to forget about it after the pilot. This time, however, I mainlined the first three series and eagerly awaited the fourth only to see co-star Chris O’Dowd journey to mainstream acclaim with Bridesmaids less than a year later. When would Ayoade’s…

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Posterized Propaganda May 2014: ‘Godzilla’, ‘Amazing Spider-Man 2′, ‘Maleficent’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Is it officially Summer yet? Blockbuster poster campaigns for Spidey, Magneto, Godzilla, and Seth MacFarlane would lean towards yes. Buy your popcorn and candy now because we’ve got computer generated…

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REVIEW: Enemy [2014]

“Chaos is order yet undeciphered” When you read a synopsis for the late Nobel Prize-winning author José Saramago’s The Double you’ll find a very straightforward tale of doppelgangers. There’s the alpha, the pushover, and the innocent victims caught between; the insanity of seeing an exact replica in the flesh paired with the infinite possibilities such a discovery could mean. One is married; one has a girlfriend. The latter injects himself into the former’s world through curiosity, the first into the second’s purely for unfounded revenge and sexual desire. They exist…

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TIFF13 REVIEW: The Double [2014]

“It’s terrible to be alone too much” Comically dry like director Richard Ayoade‘s debut Submarine, his sophomore effort takes more than a few steps towards an even more arid realm of complete existentialist surrealism. Adapted by he and Avi Korine, The Double brings Fyodor Dostoyevsky‘s novella to the big screen with a surefire confidence in its visual form and an eccentric comedy that should go a long way towards securing “The IT Crowd” starrer as a permanent, unique voice in contemporary cinema. There is a definite stylistic kinship to his…

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