REVIEW: Nebraska [2013]

“Two goddamn days … from Billings?” I didn’t like About Schmidt. I remember very little about why or the film itself, but I do remember that. It should therefore be no surprise I didn’t necessarily love director Alexander Payne‘s latest Nebraska either since in my estimation they’re very similar works. He was actually approached with Bob Nelson‘s screenplay while filming the Jack Nicholson starrer, agreeing to helm it as long as he could put distance behind his next obligation—Sideways—so as not to make two road movies in a row. Nine…

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REVIEW: The Spectacular Now [2013]

“You’ll always be my favorite ex-boyfriend” Some of us are lucky—a lot luckier than most. The thing about luck, though, is that it may look nothing like it should. Sometimes luck means having your father leave. Sometimes it’s being an eighteen-year old alcoholic everyone at school loves for epitomizing fun despite ultimately acknowledging you’re a joke. We can’t all hit bottom to pull ourselves back up because the floor isn’t always forgiving enough to allow us to walk away. When it does—when the collision rocks you awake, scares you to…

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REVIEW: The Way Way Back [2013]

“You just surprised me” Fresh off their Best Adapted Screenplay Oscar for The Descendants, writing duo Jim Rash and Nat Faxon return with a wholly original work to serve as their directorial debut. Well, original in the sense they created it without any previous material to jump off from besides a century plus worth of cinematic coming-of-age tales. The honest truth: The Way, Way Back will seem very, very familiar. But this is a fact that helps audiences realize how good it is. Like what Greg Mottola‘s Adventureland did for…

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The 84th Oscars recap through tweets …

@jaredmobarak • Shut up Ryan Seacrest … Like the studio isn’t going to reimburse you. Cry about it #Oscars12 And with a little Bisquick, the 84th Annual Academy Awards show began before the camera even entered the Kodak “Chapter 11” Theatre. The is he or isn’t he banned from the show star of The Dictator, Sacha Baron Cohen, did what he does best by getting interviewed in character and causing a scene. Ryan Seacrest appeared to be enjoying the joke of it all and remained quite amiable until the comedian…

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Top Ten Films of 2011: Melancholy with a slice of hope

If anyone tells you 2011 was a bad year for cinema, stop in your tracks, turn around and walk away without ever looking back. They have no idea what they’re talking about. With a wealth of quality films from bonafide auteurs devoid of source material, the sheer amount of original work is astonishing. The trend for remakes will most likely never end, but it’s good to know artists in and out of the Hollywood system are fearlessly treading their own path to make movies exciting again. And by exciting I…

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REVIEW: The Descendants [2011]

“Goodbye my love, my friend, my pain, my joy. Goodbye.” Beginning in voiceover, Alexander Payne’s new film The Descendants introduces us to the King family through its in-over-his-head patriarch. In a brilliant analogy, he posits how his clan resembles their home state of Hawaii very closely—beyond the obvious ancestral roots dating back to the area’s native royalty. Like the archipelago, the Kings consist of differing parts of one whole that appear to slowly move away from each other as time passes. Physically split between islands due to boarding school and…

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Posterized Propaganda November 2011: Too Many Characters!

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Hark! The holidays are upon us! While that signifies the beginning of what should be the glorious awards season flood of quality work only the lucky few of us attending…

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