Posterized Propaganda May 2013: Super Sequel Summer with ‘Iron Man,’ ‘Hangover,’ ‘Star Trek,’ ‘Fast & Furious’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

Picking Winners at the 85th Annual Academy Awards

Supporting Actress: Amy Adams: The Master Sally Field: Lincoln Anne Hathaway: Les Misérables Helen Hunt: The Sessions Jacki Weaver: Silver Linings Playbook William Altreuter: It often seems to me that the Best Supporting categories are where the most interesting things are to be found in the Academy Award nominations, and this year is proving me right. What we often get—especially with Best Actress […]

REVIEW: Gangster Squad [2013]

“Who’s the tomato?” Tragedies like last year’s Aurora, Colorado shooting on The Dark Knight Rises‘ opening night are just that—tragic. We can never image the pain, anger, and heartache of families and friends effected or ever want to think it could happen to us. So when art skews close to reenacting that suffering—albeit with no […]

REVIEW: The Dark Knight Rises [2012]

“Sometimes the pit sends something back” **Potential thematic spoilers** The trailer for the aptly coined ‘epic’ conclusion to director Christopher Nolan‘s caped crusader trilogy—The Dark Knight Rises—says it all through an emotional exchange between Batman (Christian Bale) and Catwoman (Anne Hathaway). Lamenting in her trademarked selfishness that he doesn’t “owe these people any more” and […]

Posterized Propaganda July 2012: Meet the new poster, same as the old one

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]