REVIEW: Плем’я [Plemya] [The Tribe] [2014]

Dismissing Miroslav Slaboshpitsky‘s Cannes award-winning drama Плем’я [Plemya] [The Tribe] as mere gimmick is easy and most especially lazy. I’d let you do so to Oscar-winning The Artist before I would this dialogue-free look at teenage rage and criminal exploitation because rendering that one silent was a purely aesthetic choice. It most certainly is here […]

INTERVIEW: Olivier Nakache, cowriter/codirector of Samba

Olivier Nakache and Eric Toledano‘s (shown above at middle and right with Omar Sy) Intouchables was France’s Oscar hopeful in 2012 and did make the January shortlist. An infectious crowd-pleaser based on a true story, it vaulted Sy into stardom with a César win over The Artist‘s Jean Dujardin and ultimately co-staring roles in Hollywood […]

REVIEW: La French [The Connection] [2014]

“The true force of an untouchable is the silence he imposes on others” While everything out there talking about Cédric Jimenez’s La French [The Connection] takes special care to mention William Friedkin‘s classic The French Connection, the comparisons end at that titular focal point. I’m not talking about quality, though, as this unofficial companion is […]

REVIEW: A Knight’s Tale [2001]

“We walk in the garden of his turbulence” There was always one reason I didn’t watch A Knight’s Tale: Heath Ledger. I eventually turned around on him as an actor after The Brothers Grimm and of course his Oscar nominated role in Brokeback Mountain, but in 2001 he was just that heartthrob all the girls […]

REVIEW: Blancanieves [2012]

“Never take your eyes off the bull” It appears Pablo Berger‘s silent, black and white interpretation of the Brothers’ Grimm‘s Snow White has become a casualty of its subject’s overexposure outside its home country of Spain. Nowhere more than America was Blancanieves pushed to the fringes after a 2012 Toronto International Film Festival debut and […]

The 84th Oscars recap through tweets …

@jaredmobarak • Shut up Ryan Seacrest … Like the studio isn’t going to reimburse you. Cry about it #Oscars12 And with a little Bisquick, the 84th Annual Academy Awards show began before the camera even entered the Kodak “Chapter 11” Theatre. The is he or isn’t he banned from the show star of The Dictator, […]

Top Ten Films of 2011: Melancholy with a slice of hope

If anyone tells you 2011 was a bad year for cinema, stop in your tracks, turn around and walk away without ever looking back. They have no idea what they’re talking about. With a wealth of quality films from bonafide auteurs devoid of source material, the sheer amount of original work is astonishing. The trend […]

Top 25 Films of 2011

(short and sweet and to the point; culled from watching 150 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Win Win directed by Thomas McCarthy #24: The Adjustment Bureau directed by George Nolfi #23: Super 8 directed by J.J. Abrams #22: Source Code directed by […]

Picking Winners at the 84th Annual Academy Awards

For the next week and a half, Spree contributor William C. Altreuter, our online film reviewer Jared Mobarak, and me will share our thoughts on who will take home the Oscars. Let’s kick things off with … Best Supporting Actress. —C. S. BEST SUPPORTING ACTRESS: Bérénice Bejo – The Artist as Peppy Miller Jessica Chastain – […]

REVIEW: The Artist [2011]

“Farewell Norma. I never loved you.” It all starts with a kiss for the cameras and the dot of an eyeliner pen. From there a star is born in the form of Peppy Miller (Bérénice Bejo) while her accidental impetus to become an actress ends up an industry dinosaur of a bygone era overnight. Silent […]

Posterized Propaganda January 2012: The Top 10 Movie Posters of 2011

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]