REVIEW: Hacksaw Ridge [2016]

“Come back home to me” It took almost sixty years before Desmond Doss, the first conscientious objector to win the Medal of Honor, was cajoled from modesty to allow for a cinematic adaptation of his harrowing journey from Virginia to Okinawa’s blood-soaked WWII battlefield. It took another fifteen before the result hit the big screen, sadly ten too late for this hero to watch the sobering yet wholly inspirational look at faith and valor amidst chaos himself. Mel Gibson took the director’s chair after twice turning it down with Robert…

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REVIEW: Lights Out [2016]

“Are you doing this to help him or hurt her?” The story behind Lights Out is one many YouTubers aspire towards because it sees Swedish filmmaker David F. Sandberg evolve from three years of super short online scares to a seat beside contemporary Hollywood horror king James Wan. You could call his three-minute original from 2013 a “proof of concept” as it exists as the introduction of a monster seen only in the dark without any real context or story necessary. In fact, Sandberg’s feature debut pretty much recreates this…

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REVIEW: Knight of Cups [2016]

“You’re still the love of my life. Should I tell you that?” The evolution of Terrence Malick is a fascinating one. From regular narrative structure to voiceover-driven epics to visual poems, his style has been stripped down to beautiful imagery and pithily obtuse dialogue sending us on journeys as much about ourselves as they are about the characters onscreen. Many believed his last film To the Wonder was a sign of decline—hours of improvised footage cobbled together during post-production into something wholly different than how it began—but I still held…

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REVIEW: Triple 9 [2016]

“Better him than me” No matter how exciting it is to see a film with the cast John Hillcoat assembled on Triple 9, the old adage “less is more” still stands. The issue with having so many “main characters” is that they all end up becoming periphery players. And if one does rise above the rest, you wonder why so much happens that doesn’t concern him/her. This is where Matt Cook‘s 2010 Blacklist script falls into trouble: Casey Affleck‘s Chris Allen is our lead and yet he’s basically a pawn…

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REVIEW: Point Break [2015]

“Do you own a suit, son?” We’ve officially come full circle. Point Break arrived in 1991 with more cheese than a Green Bay Packers game and ten years later a fresh generation got to enjoy an ambiguous cops and robbers romp that moved the same basic plot from ocean to streets with The Fast and the Furious. It’s probably an obscure connection at best, but the cinematographer of than unofficial remake, Ericson Core, just happens to now be the man to bring a brand new version of the original story…

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REVIEW: The Sorcerer’s Apprentice [2010]

“Are you familiar with the grey wolf?” Considering the story goes that Nicolas Cage was the catalyst for getting The Sorcerer’s Apprentice off the ground—he really wanted to do a movie where he had magical powers—and how well-suited his over-the-top theatrics are to family film fare, it’s surprising he hasn’t made a point of doing more this past half decade. All those direct-to-DVD entries can’t be paying him that much money. He did make a run with the two National Treasure movies, coincidentally hatched by the same team of producer…

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TIFF14 REVIEW: Kill Me Three Times [2014]

“Quality always costs” Director Kriv Stenders left the audience seated for his latest film Kill Me Three Times with the words, “I hope you have as much fun watching as we had making it”. I doubt I did, but I cannot deny it wasn’t the sort of entertaining romp that keeps you on your toes hypothesizing who—if anyone—survives. It seems such a small thing, but a movie with no fear in killing its characters is a lot more enjoyable than one forcing you to watch misfires and flesh wounds so…

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REVIEW: Warm Bodies [2013]

“God, we move slow” Who would have thought even fifteen years ago that 2013’s nerd culture would have at its pinnacle zombies and bacon? Seriously, who? While we have Ron Swanson to thank for helping keep the latter alive recently, Hollywood has been the former’s driving force. What used to be a vehicle to disseminate political satire and civil unrest in a world slowly devolving towards a wasteland of mindless automatons has now become a million dollar moneymaking machine. They are so ubiquitous that I’m baffled none ever showed up…

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Posterized Propaganda February 2013: A Snort of Fresh Air with ‘Warm Bodies’, ‘Identity Thief,’ ‘Charles Swan’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. February. Just outside of the dump month that is January and yet still devoid of any true must-sees besides the arty ones no one has heard of and the umpteenth…

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REVIEW: Take Me Home Tonight [2011]

“That was a metaphor. I totally got him.” As this week’s box office shows in contrast to my huge level of enjoyment with Take Me Home Tonight, it appears director Michael Dowse has another cult classic on his hands. Already with It’s All Gone Pete Tong and a duo of Fubar films containing a pretty vocal fan following—how else would what looks like a major low-budget flick in the latter get funding for sequel Balls to the Wall—I’d have to imagine the lackluster opening of his newest won’t get him…

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VIDEO: Atomic Tom Music Video for Take Me Home Tonight

I’ll admit, the more I see about the film Take Me Home Tonight, the more I want to see it. Atomic Tom came onto the scene with a music video/Apple promo on the NYC subway, played and shot live on iPhones, and now have covered “Don’t You Want Me” by The Human League. The video includes members of the film’s cast as they pay homage to a ton of classic 80s flicks. Good times are had by all, including us, the viewers. Courtesy of Relativity Media LLC: The 80’s are…

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