Posted by Jared Mobarak on October 1, 2014 · Leave a Comment
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]
Category film features, posterized propaganda · Tags A Scanner Darkly, Addicted, Ali Gray, Annabelle, Ansel Elgort, Bad Words, Banksy, Batman Begins, Ben Affleck, Birdman or (The Unexpected Virtue of Ignorance), BLT Communications LLC, Brad Pitt, Cardinal Communications USA, David Fincher, Dear White People, Dominic Cooper, Dracula Untold, Edward Norton, Fury, Gone Girl, Gravillis Inc., Housebound, Ignition, InSync + BemisBalkind, Jake Gyllenhaal, Jake Paltrow, James Marsden, Jason Reitman, Jason Segel, John Wick, Jorge R. Gutierrez, Kaitlyn Dever, Keanu Reeves, Kellerhouse Inc., Laggies, Last Hijack, Luke Evans, Mad Max Beyond Thunderdome, Max Headroom, Men Women & Children, Michael Keaton, Michael Shannon, Michelle Monaghan, Miles Teller, Moneyball, Naomi Watts, Nicholas Sparks, Nicolas Cage, Nightcrawler, Nights in Rodanthe, Nikkolas Smith Design, Ouija, P+A, Revenge of the Green Dragons, Richard Amsel, Richard Linklater, Rosamund Pike, Rosemarie DeWitt, Roy Lichtenstein, Safe Haven, Sam Rockwell, Shia LaBeouf, Temptation: Confessions of a Marriage Counselor, Ten30 Studios, The Best of Me, The Book of Life, The Conjuring, The Girl with the Dragon Tattoo, The Lucky One, The Notebook, The Refinery, The Social Network, Tommy Pallotta, Waking Life, Whiplash, WORKS ADV, Young Ones
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