REVIEW: The Invisible Man [2020]

Surprise. After the critical and financial debacle of Universal Studios’ attempted interconnected Dark Universe of “monsters” beginning with The Mummy, the decision to embrace a more independent mindset was inevitable. Considering his collaborations with James Wan (the Saw and Insidious franchises) utilized exactly that, it wasn’t shocking when newly placed producers Blumhouse reached out to Leigh Whannell to lead the charge. I don’t think it was his horror pedigree that earned him a meeting about reimagining H.G. Wells‘ The Invisible Man, though, since his last film Upgrade practically had an…

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REVIEW: A Happening of Monumental Proportions [2018]

“Choose, commit, and move” Men have it tough don’t they? I mean they have to worry about married women they’ve engaged in inner-office affairs with ratting them out to the new boss. Some are forced to face the crushing existential crisis that comes with their failed pipe dreams of rock stardom revealing how they’re nothing but lowly private school music teachers who’ve accomplished nothing in their lives—including, apparently, educating the children in their class. And don’t get me started on the ones who must endure the untimely death of their…

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REVIEW: A Wrinkle in Time [2018]

“Love is the frequency” While waiting outside the bathrooms after A Wrinkle in Time finished, I saw a white couple with their two young, fair-haired daughters walking out of the theater. Mom and Dad were explaining to one how movies are interpretations. They were reminding her that she had an idea of what the characters looked like while reading and now Ava DuVernay showed hers onscreen. The girl looked up and said, “Yeah. Most of them were blonde in the book.” They went out of earshot soon after, just as…

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