REVIEW: The Decline of Western Civilization Part II: The Metal Years [1988]

“It doesn’t matter—the size of your pencil. It’s how you write your name.” Director Penelope Spheeris changes the aesthetic and to some extent the goals of her documentary series The Decline of Western Civilization with Part II: The Metal Years. Like its predecessor depicting the contemporary 1980 Los Angeles punk scene, we get a glimpse at obscure metal bands like Odin, London, and Seduce as they traverse the circuit with varying levels of success. Interwoven with them, however, are interviews of the genre’s mostly glam metal pioneers like Steven Tyler…

Read More

REVIEW: Epic [2013]

“Moist is what we do” Children’s author—and Academy Award winning animated short film director—William Joyce continues to make his rounds throughout the industry’s ever-expanding studio ranks with an adaptation of his book The Leaf Men and The Brave Good Bugs with Blue Sky. Having already seen his work turned into feature length films with Pixar (Meet the Robinsons) and DreamWorks (Rise of the Guardians), it’s no surprise he would reteam with Ice Age director Chris Wedge in a larger creative capacity than was had as production designer on Robots. While…

Read More

REVIEW: Don’t Stop Believin’: Everyman’s Journey [2013]

“I’m living a fairy tale right now” It was Journey‘s album Trial by Fire from 1996 that opened my eyes to their insane library of hits upon entering high school. Here was their first new music since the year after my birth in 1983—”When You Love a Woman” was constantly on the radio, my father had the CD playing at home, and I began delving into the back catalog surprised to realize how many tunes I loved growing up were in fact the creation of Steve Perry and his group…

Read More

REVIEW: Rock of Ages [2012]

“Actually, I told him the gig was last night. So he’s a day late.” Listening to Night Ranger‘s “Sister Christian” sung by a bus full of strangers a la Almost Famous was a pretty good way to start Rock of Ages, the big screen adaptation of the Tony Award nominated musical. Julianne Hough‘s ‘Sherrie’ Christian’s blandly starry-eyed wonder was acceptable; Hollywood circa 1987 took shape via hookers, muggers, and over-zealous cops; and the hyper-real Broadway sensibilities came out as extras broke into song and dance while a sweaty, sex-infused rock…

Read More