REVIEW: Rules Don’t Apply [2016]

“You’re an exception” Eighteen years after Bulworth and fifteen after Town & Country (his last time directing and acting for a feature film respectively), Warren Beatty returns to the big screen with a fictionalized biography of Howard Hughes forty years in the making. It’s a passion project and vanity project: two endeavors worthy of an […]

REVIEW: The Secret Life of Pets [2016]

“Liberated forever, domesticated never” Illumination Entertainment’s latest film The Secret Life of Pets has an amazing hook: what do our pets do while we’re gone? We could obviously pay Comcast Xfinity to supply cameras and discover the answer to that question—why use product placement when you can show a commercial before the film that uses […]

INTERVIEW: Stephen Frears, director of The Program

It’s proving to be a couple of busy months for legendary director Stephen Frears, fresh off his delightful true-life story Philomena making an Oscar run in 2013. Not only does he have his Lance Armstrong biopic The Program opening US theaters this Friday (March 18th), but his newest Florence Foster Jenkins also hits UK screens […]

REVIEW: Night at the Museum: Secret of the Tomb [2014]

“They’ll burn up like tiny scarabs in Sinai” It appears director Shawn Levy and new screenwriters David Guion and Michael Handelman have thrown the jokey nature of Thomas Lennon and Robert Ben Garant‘s Battle of the Smithsonian away to bring the Night at the Museum series back to what first made it a success. Secret […]

REVIEW: Night at the Museum [2006]

“Keep a lid on it, Butterscotch” While based on a 1993 children’s book by Milan Trenc portraying a museum security guard discovering how he must protect the people outside from the dinosaur skeletons that come to life inside, Robert Ben Garant and Thomas Lennon‘s cinematic adaptation of Night at the Museum bears more of a […]

Picking Winners at the 86th Annual Academy Awards

The Oscars are generally quite boring, since we often know well in advance what is going to win Best Picture, Director, etc. But this year? Not so much. Sure, there are heavy favorites — see below. But it is entirely possible there will be some real surprises. Of course, I could be completely wrong. But […]

REVIEW: Philomena [2013]

“No one’s interested in Russian bloody history” The dreaded ‘human interest story’—a tale about naively ignorant folk read by naively ignorant folk. I paraphrase what wrongly disgraced journalist Martin Sixsmith (Steve Coogan) dryly quips when first told about the aging woman’s plight he would soon use to rejuvenate his career (at least where the film’s […]

Posterized Propaganda November 2013: ‘Ender’s Game,’ ‘Nebraska,’ ‘Frozen,’ ‘Oldboy’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: What Maisie Knew [2013]

“I’ve done my mid-life crisis. You should get on with yours.” Stories like What Maisie Knew are tough pills to swallow because of their authentic depiction of human selfishness. It’s easy to label the subject matter overwrought and hyperbolic due to the actions of its adults until we realize how prevalent such attitudes are in […]

REVIEW: The Killer Inside Me [2010]

“It’s always lightest just before the dark” Nobody is more across the board genre-wise than director Michael Winterbottom. Who else could traverse the broad canvases of Steve Coogan shenanigans, Guantanamo Bay documentation, the human condition of emotion in the face of terrorism, and an unsimulated meld of sex and rock n’ roll? Shake those sensibilities […]

REVIEW: The Other Guys [2010]

“Aim for the bushes” My loathsome attitude to ‘full-blown’ Will Ferrell is common knowledge with those who have been reading my reviews the past few years. He just has a knack to go too far and regress into a large, blithering child. It used to work with small supporting roles or comic relief parts such […]