REVIEW: Miller’s Crossing [1990]

“I’ll think about it” The mob is a business like any other. Leadership must be strong and decisive, employees must be loyal to a fault, and every once in a while you have to cut someone you like loose in order to not anger someone you might like less but definitely need more. Despite everything […]

REVIEW: Lean on Pete [2018]

“I’d rather them never see me again than see me like this” Loneliness is a tough concept to cope with as a child, especially when it begins to seem as though you’re to blame. That’s hardly the case, though, since people who leave do so out of selfishness rather than “just cause.” You may think […]

REVIEW: The Death of Stalin [2017]

“I can’t remember who’s alive and who isn’t” The Russians may have taken umbrage with British director Armando Iannucci‘s The Death of Stalin—a tale of backstabbing governmental hilarity—but their successful quest to ban it domestically is a case of “doth protest too much.” The Soviet Union allied with Hitler’s Nazi regime before joining the winning […]

REVIEW: Kumiko, the Treasure Hunter [2015]

“Solitude? Just fancy loneliness.” It’s easy to assume Kumiko, the Treasure Hunter will be a humorous adventure of cultural dissonance upon reading its synopsis. The conceit is ripe for comedy and David and Nathan Zellner do mine that arena throughout their drama when it suits the story, but it’s a nuanced tragedy that’s ultimately delivered. […]

TIFF14 REVIEW: The Cobbler [2015]

“I’m not gonna eat you!” Adults need fairy tales too and Thomas McCarthy—with cowriter Paul Sado—deliver one in The Cobbler. They don’t try to pretend it’s something more either as its opening prologue can attest thanks to older tradesmen on the Lower East Side speaking Yiddish around a table to think up a way to […]

REVIEW: Monsters University [2013]

“Technically I caught the pig” I entered the theatre with low expectations and a willingness to be surprised, curious towards Monsters University’s trailers lacking plot description besides a generalized notion of witnessing Mike Wazowski (Billy Crystal) and Jimmy “Sulley” Sullivan (John Goodman) becoming best friends. What would first-time Pixar feature-film director Dan Scanlon and co-writers […]

REVIEW: Monsters, Inc. [2001]

“Kitty!” If there is one film type where a laundry list of screenwriters can actually help the finished product, it’s the animated feature. Sparked by the simple idea of “Let’s make a movie about monsters”, Pete Doctor’s directorial debut evolved immensely from its brainstorming lunch origins in 1994. What would ultimately become Pixar Studios’ second […]

REVIEW: The Incredible Burt Wonderstone [2013]

“Pretend I’m still here and tell me all about it” I’m a big magic fan—always have been. Armed with a set of tricks needing extensive instructions before allowing my parents to feign astonishment at my implementation, I watched every David Copperfield special and even went to a weekly magic class one summer as a kid. […]

Posterized Propaganda March 2013: ‘Stoker,’ ‘Place Beyond the Pines,’ ‘Spring Breakers’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: Hotel Transylvania [2012]

“What? Now there’s no sheep in the road.” After the abysmal failure of That’s My Boy, seeing Adam Sandler and Andy Samberg highlight another film’s marquee this year didn’t instill confidence. Cartoon or not, the pairing still left a sour taste in my mouth that the addition of their larger-than-life comedic buddies Kevin James, David […]

REVIEW: Youth in Revolt [2010]

“You sweet angel of the lavatory” Wow, never underestimate the drawing power of Michael Cera. This kid is the most awkward looking and acting actor on the planet, destined to be relegated to one-trick pony status unless he stops letting himself be typecast, but my God does he have comedic appeal. The screening I attended […]