REVIEW: The Iceman [2013]

“I don’t believe in bad luck” Arrested in 1986 after three decades of murdering an estimated one hundred men, it’s hard to believe another thirty years were necessary before the story of serial killer turned hitman Richie Kuklinski reached the big screen. Based on Anthony Bruno‘s book The Iceman: The True Story of a Cold-Blooded […]

REVIEW: Tomorrow You’re Gone [2013]

“He needs to get killed” Directing his first film since 2005’s Down in the Valley, David Jacobson finds himself in very similar tonal territory with Tomorrow You’re Gone. Written by Matthew F. Jones from his own novel Boot Tracks, the story picks up with introspective, tormented criminal Charlie Rankin (Stephen Dorff) upon his release from […]

REVIEW: Immortals [2011]

“Witness hell!” With the most recent forays into mythology coming in the form of a boring Troy and misguided Clash of the Titans, seeing the name Tarsem Singh attached to Immortals brought a smile to my face. Originally titled Dawn of War and War of the Gods before settling on its current name, the director […]

REVIEW: Somewhere [2010]

“Hey Johnny. You’re having a party.” Ever since her debut film—a favorite of mine—The Virgin Suicides, Sofia Coppola has spiraled into a mode of minimalist storytelling. Receiving raves from critics and a Best Screenplay Oscar for her sophomore effort Lost in Translation, I began to wonder what I was missing. It was a good film, […]

The Most Anticipated Films of 2011

While Jon Favreau may say that 2011 looks to have a bloodbath summer on its hands with blockbusters galore taking 3D screens from each other, I’ll say right now that those aren’t the movies most intriguing me. Next year sees a return for Jack Sparrow, Lightning McQueen, Holmes and Watson, the Witwickys, Ethan Hunt, and, […]

REVIEW: Public Enemies [2009]

“Bye-bye blackbird” There’s this thing called clout that allows certain Hollywood types to be able to get people like Shawn Hatosy and Leelee Sobieski in their films for five-minute throwaway roles. It also gets them the ability to have carte blanche on a script that others may not. I think Michael Mann is one of […]