REVIEW: For the Love of Spock [2016]

“He did” I’m not sure what the original plan for Adam Nimoy‘s documentary For the Love Spock was considering a full-length feature about the origins of a fictional character—no matter how beloved—is hardly the stuff for which theatrical releases are made. But Leonard Nimoy‘s passing during production ultimately gave the project a new motivation. It was no longer about commemorating Mr. Spock on the eve of “Star Trek” the original series’ fiftieth anniversary. Suddenly the footage captured had morphed into a memorial for this man who touched so many souls…

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REVIEW: Star Trek Beyond [2016]

“The poetry of fate” After an auspicious reboot that erased every movie in the series before it (save the travels of Leonard Nimoy‘s Spock) while ensuring each one still remained in canon, J.J. Abrams stumbled a bit by recycling one of those films’ most acclaim stories for the follow-up. I’ll be the first to admit that Star Trek Into Darkness isn’t all-bad upon a second viewing three years later, but it’s neither unique nor consistently exciting enough to sustain its massive runtime. Unsurprisingly, Abrams decided to take a backseat to…

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REVIEW: X-Men: Days of Future Past [2014]

“Mind the glass” If you have a storyline at your disposal capable of continuing two separate iterations of a single cinematic franchise simultaneously, you’d be a laughing stock not to take it. Credit Fox for seizing this opportunity to create something not even Marvel proper has dared to do quite yet. Would they have made the attempt had Star Trek not already used time travel in a way that didn’t completely alienate its summer blockbuster movie-going audience? I’d be interested to hear the producers’ thoughts on this because I’m not…

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REVIEW: Star Trek Into Darkness [2013]

“Bones, get that thing off my face” Director J.J. Abrams’ reboot of Star Trek four years ago was a refreshing, original take on a world possessed by countless offshoots because screenwriters Roberto Orci and Alex Kurtzman used its science fiction genre to both retain and destroy existing mythology. A red matter black hole sending the Romulan Captain Nero back through time allowed their new universe to stand on its own as a parallel reality to the original show’s rather than forever remaining in its shadow. Orci and Kurtzman impossibly crafted…

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REVIEW: Galaxy Quest [1999]

“Never give up. Never surrender.” What would happen if William Shatner were beamed into space for real—tracked down by a group of aliens indecipherable from the litany of cosplaying fans clamoring for his autograph at one of the infinite Comic Cons held around the nation? This is the question stuck in screenwriter David Howard‘s head as he put Galaxy Quest to paper in order to imagine the possibilities. A lush with a bigger head than when the titular show was on air, Jason Nesmith (Tim Allen) encourages fans with a…

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REVIEW: Done the Impossible: The Fans’ Tale of ‘Firefly’ and ‘Serenity’ [2006]

“And that makes us mighty” Never underestimate the Browncoats. A community of “Firefly” fans who filled the mold of their television shows’ iconic warriors Malcolm Reynolds and Zoë Washburne, their fervor and never-say-die attitude not only kept a canceled program alive in their hearts and on the internet, but also helped resurrect it to the big screen. Composed of regular people who found the time to watch and care as well as a contingent of cast and crew—themselves huge champions of the work created—Done the Impossible: The Fans’ Tale of…

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REVIEW: Toy Story [1995]

“Ages three and up! It’s on my box!” It’s hard to believe that, with Toy Story 3 coming out soon, it has been fifteen years since the original film. Back in 1995, Toy Story ushered in an animation renaissance for not only Disney, but also the medium as a whole. Pixar Studios had created something that changed the game forever, spawning countless other computer-graphic studios to follow suit and never fully reach the potential consistently exceeded by the Mouse House’s little buddy. Starting as a small-scale studio inside the Lucasfilm…

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The 82nd Oscars recap through tweets …

@jaredmobarak • NPH in sequins … i guess that’s something … The 82nd Annual Oscars ceremony begins, yet the hosts are nowhere to be found. Have we gotten to the point now where we need a lead-in for the most assuredly lame/very PC stand-up routine? We need to get the ball rolling for the ball that gets the show rolling? And they wonder why it always goes over its allotted timeslot. So, not only do we have to be introduced to all the lead acting nominees—because anyone watching doesn’t know…

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Picking Winners at the 82nd Annual Academy Awards

Some Oscar nomination thoughts, the morning after: William Altreuter: Best Picture: The Hurt Locker. James Cameron backlash, plus Hollywood self-seriousness = victory! Best Actor: Jeff Bridges. Everybody loved Clooney, but he’s in something good every year. Supporting Actor: Stanley Tucci. Just a hunch. Best Actress: Sandra Bullock. Did you realize she’s forty-five years old? Not exactly the best argument against the proposition that there are no roles for women over twenty-four, since she plays at least ten years younger, but still. Plus the Streep movie wasn’t that good (even though she…

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REVIEW: Lymelife [2009]

“She can bring you an icepack or some Yoo-hoo or something” There is nothing like a critically acclaimed indie to bring you back to reality after the opening weeks of summer and the influx of blockbusters like Star Trek, Terminator, and Transformers 2. Derick Martini’s Lymelife is just that kind of film. A story about two families and their comings and goings through each others’ lives, we watch as Rory Culkin’s Scott sees the world around him, seemingly idyllic, fall apart. He sees his father as a hero, getting richer…

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REVIEW: Terminator Salvation [2009]

“So that’s what death tastes like” I have never seen a McG film before. I avoided the Charlie’s Angels movies and thought We Are Marshall looked pretty mediocre—besides being a based on true events sports flick; not my genre of choice. But here we have him helming the newest entry to one of the best science fiction series in cinema. How would someone that people oftentimes compare to a “hack” like Brett Ratner do with a big scale production containing an existing mythology and fan base calling for greatness? We…

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