The 91st Oscars recap through tweets …

What a wild ride this Oscars season has been. After so much recent talk about inclusivity and a changing of the guard, it was bound to happen that we’d receive an awkward period of flux. There’s the young crowd cheering a Marvel Cinematic Universe chapter to the franchise’s first Best Picture nominee and the older […]

Picking Winners at the 91st Annual Academy Awards

The 90th Annual Academy Awards hits airwaves Sunday, February 24th, 2019 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: It’s the type of year where hashtags rhetoric simply won’t work. There’s just not one all encapsulating buzzword to […]

Online Film Critics Society Ballot 2018

Below is my December 27th ballot for the 22nd annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2018 calendar year. Group winners are highlighted in red. (No option to abstain was supplied this year.) Best Picture #1If Beale StreetCould Talk #2You Were NeverReally Here #3Hereditary #4Eighth Grade […]

REVIEW: BlacKkKlansman [2018]

“Did you just use your real name?” The fact that Spike Lee‘s BlacKkKlansman is based on a true story is absolutely crazy. A black rookie cop in Colorado calls the Ku Klux Klan, wins them over with racist rhetoric, and talks his precinct chief into approving an investigation wherein a white officer would pretend to […]

REVIEW: Chi-Raq [2015]

“Land of pain, misery and strife” I can comfortably forget Da Sweet Blood of Jesus happened—Spike Lee‘s ambitious yet disappointing Kickstarted vampire flick—now that it appears the director’s back on track with Chi-Raq‘s musical satire. I don’t get around to every Lee “joint” but it’s probably not far-fetched to say this is his best since […]

REVIEW: Da Sweet Blood of Jesus [2015]

“You have not because you ask not” I backed Spike Lee‘s Kickstarted Da Sweet Blood of Jesus because I was intrigued by an auteur of his stature being left to his own devices on a project as captivating as what he’d set forth. He said it was “a new kind of love story”—one about human […]

You are the ambassador of your race: the human race … Babel’s Suzan-Lori Parks

It wasn’t until Just Buffalo Literary Center‘s Artistic Director Barbara Cole took the stage that I noticed something out-of-place: a microphone stand. I’m not entirely sure when its last appearance was, but I distinctly remember the vehemence of the audience when whoever used it couldn’t be heard. Everyone else seemed cognizant of the problem too […]

INTERVIEW: Timothy J. Cox, star of Simple Mind, Choosing Sides, and more

Becoming a working actor is hardly an easy career path chosen lightly. For character actor Timothy J. Cox the journey towards independent film began by accident in 8th grade yet became a calling it would seem he was born to follow. Still, it took him almost a decade of living in New York City before […]

Posterized Propaganda November 2013: ‘Ender’s Game,’ ‘Nebraska,’ ‘Frozen,’ ‘Oldboy’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

Picking Winners at the 85th Annual Academy Awards

Supporting Actress: Amy Adams: The Master Sally Field: Lincoln Anne Hathaway: Les Misérables Helen Hunt: The Sessions Jacki Weaver: Silver Linings Playbook William Altreuter: It often seems to me that the Best Supporting categories are where the most interesting things are to be found in the Academy Award nominations, and this year is proving me right. What we often get—especially with Best Actress […]

Posterized Propaganda August 2012: A Summer Lull

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]