FILM MARATHON: Movie Musicals #9: Singin’ in the Rain [1952]

“Dignity, always dignity” With just two Oscar nominations—for supporting actress and musical score—the lack of love for Singin’ in the Rain at its release shouldn’t be too surprising. Crafted by MGM’s Arthur Freed to reuse the songs he and Nacio Herb Brown wrote for a slew of musicals in the 1930s, the film feels like a pastiche from start to finish, its flimsy underlying look behind the scenes at a few silent movie stars making the transition to talkies a simple construct on which to sing and dance. No disrespect…

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FILM MARATHON #3: Movie Musicals (Broadway & Original)

The reason I started doing my marathon series was to finally start seeing films I’ve neglected and needed to see. Doing the filmography of Terrence Malick couldn’t have turned out better with some of the greatest works of cinema I’ve ever seen. Days of Heaven easily vaulted itself into my top 10 of all-time and The Thin Red Line wasn’t too far behind. Checking out Julia Roberts films might have made me realize I’ve been wrongly ignoring her abilities as an actor, but Malick has given me a new auteur…

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REVIEW: Planet 51 [2009]

“Sea monkeys dancing to the Oldies” There is a new competitor on the animated picture front. The Spain-based company Ilion Studios has thrown their hat in the ring with the new film Planet 51. Unlike some of the other upstart firms that have cropped up in the past decade, Ilion’s artistry is very much on par with Dreamworks and Fox, (no one can compare to Pixar, sorry), and surprised me with how clean and polished the animation was. A studio like this needs to find success early, however, in order…

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