Top 100 Films of the Decade: 2010-2019

If you asked me in 2010 which studios’ films would be amongst my favorites over the next ten years, I probably would have answered two correctly: Fox Searchlight (11) and Sony Pictures Classics (7). Those are two independent shingles of big Hollywood names that have been pumping out quality pictures for decades. Next up would have been The Weinstein Company (5), Warner Bros. (4), Paramount (4), Universal (4), and Sony Pictures (3) because they were cinema. So why are they barely beating those other two combined? Because the game changed.…

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Picking Winners at the 86th Annual Academy Awards

The Oscars are generally quite boring, since we often know well in advance what is going to win Best Picture, Director, etc. But this year? Not so much. Sure, there are heavy favorites — see below. But it is entirely possible there will be some real surprises. Of course, I could be completely wrong. But if I am, hopefully Bill Altreuter and Jared Mobarak will be right. And away we go … —Chris Best ActorBruce Dern: NebraskaChiwetel Ejiofor: 12 Years a SlaveMatthew McConaughey: Dallas Buyers ClubLeonardo DiCaprio: The Wolf of Wall StreetChristian Bale: American Hustle…

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The 84th Oscars recap through tweets …

@jaredmobarak • Shut up Ryan Seacrest … Like the studio isn’t going to reimburse you. Cry about it #Oscars12 And with a little Bisquick, the 84th Annual Academy Awards show began before the camera even entered the Kodak “Chapter 11” Theatre. The is he or isn’t he banned from the show star of The Dictator, Sacha Baron Cohen, did what he does best by getting interviewed in character and causing a scene. Ryan Seacrest appeared to be enjoying the joke of it all and remained quite amiable until the comedian…

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Top Ten Films of 2011: Melancholy with a slice of hope

If anyone tells you 2011 was a bad year for cinema, stop in your tracks, turn around and walk away without ever looking back. They have no idea what they’re talking about. With a wealth of quality films from bonafide auteurs devoid of source material, the sheer amount of original work is astonishing. The trend for remakes will most likely never end, but it’s good to know artists in and out of the Hollywood system are fearlessly treading their own path to make movies exciting again. And by exciting I…

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Top 25 Films of 2011

(short and sweet and to the point; culled from watching 150 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Win Win directed by Thomas McCarthy #24: The Adjustment Bureau directed by George Nolfi #23: Super 8 directed by J.J. Abrams #22: Source Code directed by Duncan Jones #21: Weekend directed by Andrew Haigh #20: The Interrupters directed by Steve James #19: Contagion directed by Steven Soderbergh. #18: Senna directed by Asif Kapadia. #17: Santiago 73, post mortem[Post Mortem] directed by…

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Picking Winners at the 84th Annual Academy Awards

For the next week and a half, Spree contributor William C. Altreuter, our online film reviewer Jared Mobarak, and me will share our thoughts on who will take home the Oscars. Let’s kick things off with … Best Supporting Actress. —C. S. BEST SUPPORTING ACTRESS:Bérénice Bejo – The Artist as Peppy MillerJessica Chastain – The Help as Celia FooteMelissa McCarthy – Bridesmaids as Megan PriceJanet McTeer – Albert Nobbs as Hubert PageOctavia Spencer – The Help as Minny Jackson Christopher Schobert: Bill, it seems like every time you and I tackle…

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Posterized Propaganda January 2012: The Top 10 Movie Posters of 2011

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. With January 2012 poster selection leaving a lot to be desired—dump month movies don’t appear to get the same marketing budget as critical darlings—we’ve decided to better spend our monthly…

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Posterized Propaganda December 2011: Numbers and Faces

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. December is here and the posters are many. With studio releases being pumped through NY and LA during the holidays for award consideration, the number of films coming out this…

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TIFF11 REVIEW: Shame [2011]

“Blue or green?” Three years after their first collaboration—and the director’s debut film—Steve McQueen and star Michael Fassbender return with the viscerally intense Shame. To call a movie assured to receive an NC-17 rating more mainstream than their previous Hunger is insane, but it’s true. Whereas that film took a more formal approach to the medium, leaving us in a visually stunning world without introducing the lead character until about a third of the way in, Shame definitely has more of a narrative voice. With that said, however, McQueen’s improved…

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