REVIEW: The Little Stranger [2018]

Well you’re forgiven now. Novelist Sarah Waters said her intent with The Little Stranger was never to write a ghost story, but instead speak about the rise of socialism in the United Kingdom and how those of affluent stature just below the nobility dealt with the decline of their legacies in its aftermath. I haven’t read the book myself, but this all rings true as far as Lenny Abrahamson‘s cinematic adaptation. Scripted by Lucinda Coxon, the result is more gothic romance than horror at first glance. While the marketing has…

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REVIEW: 아가씨 [Ah-ga-ssi] [The Handmaiden] [2016]

“The snake marks the bounds of knowledge” As soon as I began walking out of the theater after 아가씨 [Ah-ga-ssi] [The Handmaiden], a friend and fellow critic asked if I was the one laughing. I said, “Yes.” Parts Two and Three (of three) were legitimately funny—I’d say intentionally so. All of Chan-wook Park‘s films are out of necessity considering how dark, twisted, and violent his subject matter proves. I’d argue Korean cinema on the whole has an inherently unavoidable humor if only because the acting always seems to possess a…

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