Online Film Critics Society Ballot 2017

Below is my December 24th ballot for the 21st annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2017 calendar year. Group winners are highlighted in red. (We were only allowed to vote for one nominee per category this year, but I ranked them all like previous years […]

REVIEW: Loving Vincent [2017]

“Life can even bring down the strong” The stats are incredible: 125 artists animating a feature-length film over seven years based on 800 personal letters with 65,000 individually-painted oil frames. You read those numbers and wonder if it was worth the trouble when a traditionally shot narrative featuring its faux “rotoscoped” actors would have been […]

TIFF17 REVIEW: Lady Bird [2017]

“Love and attention” After a string of critical hits hinging upon her trademarked quirk as self-absorbed twenty-somethings trying to cut a path in life, Greta Gerwig has decided to transpose that template onto a tale of teenage angst with her directorial debut Lady Bird. The first step was finding a kindred spirit in Saoirse Ronan […]

TIFF17 REVIEW: On Chesil Beach [2018]

“I wasn’t my family. I was me.” It’s 1962. Florence Ponting (Saoirse Ronan) and Edward Mayhew (Billy Howle) have just been married. She’s from a wealthy family and he a provincial one; her desire to be active in world affairs beyond her status’ ambivalence and his hope to be accepted as an intellectual with the […]

Top Ten Films of 2015: Where emotions run high

I have no problem saying 2015 was a great year for cinema. Putting together a Top Ten was difficult at every turn—both because each time I had to do so meant I had seen more films and as a result of my preferences constantly changing. There are more than a few from 11-20 that easily […]

Picking Winners at the 88th Annual Academy Awards

For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: Here’s hoping Chris Rock does his best Ricky Gervais as far as not caring about political correctness or duty to kissing up to the celebrities all dressed-up nice because having him host the 2016 […]

Online Film Critics Society Ballot 2015

Below is my December 12th ballot for the 19th annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2015 calendar year. Group winners are highlighted in red. Best Picture #1Inside Out. #2Carol. #3Spotlight. #4Ex Machina. #5Mad MaxFury Road #6Brooklyn #7The Revenant #8Room #9The Martian #10Sicario Best Animated Film […]

REVIEW: Brooklyn [2015]

“I’m not sure I have a home anymore” I believe a very crucial distinction should be made before going into director John Crowley and writer Nick Hornby‘s adaptation of Colm Tóibín‘s Brooklyn for those unfamiliar with the book. When I watched the trailer it appeared very much like an Oscar-bait romance with a firecracker love […]

REVIEW: Lost River [2015]

“Here in my deep purple dream” You cannot watch Ryan Gosling‘s directorial debut Lost River without recalling the divisive surrealism of Only God Forgives. He’s the first to admit how much of an influence Nicolas Winding Refn was, pitting the Dane’s heightened realities against the emotive authenticity of another favorite collaborator in Derek Cianfrance. Gosling […]

REVIEW: The Grand Budapest Hotel [2014]

“Who’s got the throat-slitter?” The films of Wes Anderson have always resided in some sort of parallel universe full of stylistic flights of fancy, but never has one been so completely defined by its fantasy than The Grand Budapest Hotel. His previous work exists to pay homage with stories filled to the brim by aesthetic […]

INTERVIEW: Geoffrey Fletcher, writer/director of Violet & Daisy

Oscar winning screenwriter Geoffrey Fletcher has kept busy post-Precious as a Columbia University and NY Tisch School adjunct professor, the driving creative force behind Bombay Sapphire’s Imagination Series, and collaborating with Doug Liman on a new film entitled Attica about the 1971 prison rebellion. Despite all this, however, it’s his directorial debut Violet & Daisy […]