REVIEW: Deadpool 2 [2018]

“We can’t really live until we die a little” The biggest critical gripe coming out of the first Deadpool film was that its attempt to subvert the superhero genre was squandered by being a superhero film. What does that mean? It literally is a superhero film. The character is an X-Men alum who exists to […]

REVIEW: Life [2017]

“Its curiosity outweighs its fear” Calling Daniel Espinosa‘s Life an Alien retread is the easy thing to do. Both are tensely claustrophobic science fiction films with a violent extraterrestrial that’s loose and in search of the crew. But it’s also a very reductive comparison considering they are nothing alike beside genre conventions. The missions are […]

REVIEW: Deadpool [2016]

“Maximum effort” The fact Deadpool is in theaters should have fans and detractors of the superhero “genre” excited because it signals a burst of creativity within an otherwise stagnant artistic avenue. But don’t think it won’t still be a superhero movie. A lot of talk in the critical sphere revolves around how Tim Miller and […]

REVIEW: Mississippi Grind [2015]

“It’s Machu Picchu time” Filmmaking duo Anna Boden and Ryan Fleck‘s latest Mississippi Grind is an interesting creature. It has no ulterior motives whatsoever and that’s a unique attribute for a movie about gambling. You can’t watch loudmouth storyteller Curtis (Ryan Reynolds) happen upon the same poker table as down on his luck sad sack […]

REVIEW: The Voices [2015]

“I know karate” Don’t let the wide-eyed giddiness of Ryan Reynolds‘ Jerry Hickfang fool you. There’s darkness inside him that simply hasn’t yet been coaxed out into the open. It may take a little while to see it in full force so you can truly comprehend what is going on with the Edward Scissorhands-esque bright […]

REVIEW: The Croods [2013]

“Never not be afraid” One credit has fascinated me since The Croods opened in theaters: story by John Cleese. That John Cleese? Surprisingly, yes. It’s a somewhat convoluted journey from his failed adaptation of Roald Dahl‘s The Twits with Kirk DeMicco catching the eye of Dreamworks and earning them the pick of the litter as […]

REVIEW: Just Friends [2005]

“Does this hat make me look fat?” The memory of All-4-One lives on in a laugh-out-loud lip-synched rendition from Ryan Reynolds in the romantic comedy Just Friends. A film suggested to me by many, their descriptions always began with an, “it’s stupid, but really, really funny.” They were not wrong as any substantial plot involving […]

FILM MARATHON: Schrembs’ Spotlight Series #2: Fletch [1985]

The Schrembs’ Spotlight Series Premise: In recent years, I have made a conscious effort to try and improve upon the quality of movies I watch on a week-to-week basis. My intentions were certainly good, however, when push came to shove I pretty much failed on all levels. Big name blockbuster films won’t make their way […]

Posterized Propaganda February 2012: The Dreadful and the Dread Inducing

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

Posterized Propaganda August 2011: Summer Excess vs. Indie Class

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to […]

REVIEW: The Change-Up [2011]

“Rotate your turret and go night night” It may be overly derisive to say, especially from a guy who watched Like Father Like Son and Vice Versa religiously during the late-80s, but The Change-Up has to end up being the laziest piece of cinema released this year. Scribed by the duo behind both Hangover flicks, […]