REVIEW: Boy Erased [2018]

“Almighty Dog” I’ll never understand religion’s ability to shield believers from its inherent contradictions. I’ve seen faith help many in my family through its power for hope, healing, and positivity. But never have they been tested as far as making the choice to reject Catholicism’s rigidity where it pertains to subjects they’re simply happy to […]

REVIEW: The Mummy [2017]

“Death is a doorway and the past cannot be buried forever” A new cinematic universe is upon us—one I’m surprised took this long to materialize. The moniker is Dark Universe and it’s composed of all the classic Universal monsters from Dracula to Frankenstein to the Creature from the Black Lagoon as shepherded by producer Alex […]

REVIEW: Fathers and Daughters [2015]

“I have very self-destructive tendencies” The works of director Gabriele Muccino aren’t for everyone. I can’t speak on his Italian films, but the American ones are unavoidably cloying and sentimental in a way that must be accepted or ignored to find resonance. Despite being the one showered with praise, The Pursuit of Happyness didn’t quite […]

REVIEW: The Nice Guys [2016]

“You will never be happy :)” Even a huge Shane Black fan like myself won’t necessarily tell you his style has nuance. You watch his directorial debut Kiss Kiss Bang Bang (released almost a decade after his previous screenwriting credit) and you feel its kinship to his scripting debut Lethal Weapon. His most recent assignment […]

REVIEW: Noah [2014]

“Maybe we’ll learn to be kind” Religion likes to talk about mercy, forgiveness, and acceptance as though such grace was instilled in humanity before we decided to ignore it for carnal pleasure, bloodlust, and greed. This is why most films depicting Biblical stories go heavy on angels and enlightenment, giving pithy parables with “a-ha” lessons […]

Posterized Propaganda March 2014: ‘Noah’, ‘Nymphomaniac,’ ‘The Grand Budapest Hotel,’ ‘Enemy’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: Winter’s Tale [2014]

“For even time and distance are not what they appear to be” Can you buy a world where angels and demons walk alongside humans, gently coaxing us onto a path of righteousness or evil in order to tip the scales of eternity their way throughout time infinite? What about the idea that we each have […]

REVIEW: Man of Steel [2013]

“It wouldn’t be much of a surrender if I resisted” After Bryan Singer’s misguided attempt to stay true to original cinematic canon by having Superman Returns follow Richard Donner’s two Christopher Reeve starrers ultimately failed, a hard reboot was necessary. With DC Comics getting increasingly outplayed by every new expansion of the Marvel universe, it’s […]

REVIEW: Les Misérables [2012]

“I dreamed a dream” I tried to tackle Victor Hugo‘s massive literary masterpiece Les Misérables years ago only to find myself stuck two hundred pages in and our book club disbanded after learning my poor progress was actually second best among the lot of us. Suffice it to say, none of the words I caught […]

REVIEW: The Man with the Iron Fists [2012]

“When it comes to money, things get funny” Far from anything resembling a Kung Fu aficionado, I entered into RZA‘s directorial debut The Man with the Iron Fists with a lesser of many evils mentality. The theatre was to be my safe haven while my car got its oil change and of the two or […]

REVIEW: The Next Three Days [2010]

“Someone’s belief in virtue is more important than virtue itself” Director Paul Haggis is somewhat of an enigma with me. I like the guy, I’m not sure why, I just do. I was one of the ten fans who enjoyed “The Black Donnellys” and the first time I saw his Oscar-winning Crash at the theatres, […]