REVIEW: Bølgen [The Wave] [2015]

“Can people in the area be warned in time?” I don’t love disaster films. In many cases the genre becomes a venue for explosive visual effects at the detriment of quality acting and resonate emotion. Hollywood loves including scientists for an environmentalist commentary, military personnel for a cold-hearted government angle, and the supposed little guy turned hero saving family. It’s always too much with the heroes always proving to be brawny fireman or first responders with God-complexes complementing their selfless empathy “in the moment”. We never get an actual “little…

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REVIEW: Godzilla [2014]

“Let them fight” The reason Gareth Edwards‘ rebooted Godzilla proves so effective is that it retains the thematic essence of its 1954 ancestor, Gojira. Still an over-arching metaphor for mankind’s hubris and wont to destroy everything it doesn’t understand out of fear, Dave Callaham, Max Borenstein, and multiple script doctors simply found ways to alter the DNA so it could be relevant for an American demographic rather than Japanese. I’ll be honest: we aren’t a country that enjoys watching foreign lands painted as the victim while we look on with…

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Posterized Propaganda May 2014: ‘Godzilla’, ‘Amazing Spider-Man 2′, ‘Maleficent’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Is it officially Summer yet? Blockbuster poster campaigns for Spidey, Magneto, Godzilla, and Seth MacFarlane would lean towards yes. Buy your popcorn and candy now because we’ve got computer generated…

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REVIEW: White House Down [2013]

“My father is a very special man!” It’s a shame Hollywood blockbuster fare has a contractual obligation for contrived happy endings with unnecessary and unsurprising “twists” because Roland Emmerich‘s newest disaster porn entry White House Down is a legitimate winner until its cheesy finale. There’s actual suspense, authentic humor, and charismatic leads to hook us into its plausible terrorist attack scenario with plenty of action to sustain our interest over its two-hour plus runtime. But just as James Vanderbilt’s script inches towards the finish—and our government protocols are severely tested—cliché…

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Posterized Propaganda June 2013: The Apocalypse is Nigh With ‘Man of Steel,’ ‘World War Z,’ ‘This is the End’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Summer continues chugging along with the America and/or Earth threatened by destruction at every turn. Whether comic book adaptations, zombie wars, terrorist assaults or a giant pit opening up to…

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REVIEW: Independence Day [1996]

“We will not go quietly into the night” The man who proved we could only take so many disaster films and yet still made more, Roland Emmerich shouldn’t be denied the astronomical success of the one that jump-started the genre’s big budget revival in the first place. After giving us the rather smart science fiction actioner Stargate, he and writing/producing partner Dean Devlin came up with the treatment for Independence Day as a response to the constant questions about their opinions on alien life. Wanting to take a step back…

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REVIEW: Battleship [2012]

“It’s the North Koreans—I’m tellin’ ya” Screenwriters Erich and Jon Hoeber actually made paying Hasbro a boatload of cash for their seemingly unnecessary board game property a relevant story point in their big budget, science fiction actioner Battleship. The fact they had to conjure up a humanoid alien race with reptilian characteristics and cloaking technology to keep gigantic flying nautical vessels off radar is beside the point. The American public loves extra-terrestrial invasions, thinks Andy Roddick’s wife Brooklyn Decker is hot, and can’t help getting revved up when their armed…

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Posterized Propaganda October 2011: Faces Take the Spotlight

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Thank goodness for the fall season. Not only are the films better, but the artwork generally has its own yummy indie flavor too. Close-up faces covered by sans-serif text reign…

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REVIEW: Battle: Los Angeles [2011]

“You got a silver star and my brother came home in a body bag. I get it.” Stock up on Dramamine, brush up on your Hooked on Phonics, dust off the ol’ Stars and Stripes, and prepare for some Marine Corps action as alien invaders decimate all but one platoon—Oorah! I can just picture the first meeting for Battle: Los Angeles—I’ll use the colon since it’s everywhere except the opening credits—where the Yes-Men, so enraptured in their Red Bulls and cellphones, start speaking the brilliant idea, amidst ‘dudes’ and ‘mans’,…

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REVIEW: Stargate [1994]

“I’m here in case you succeed” Could anyone have fathomed Stargate spawning a legion of television series and huge cult sci-fi following back in 1994? It came from writer/director Roland Emmerich after all, a man that had a German language feature and four in English, all ill received, behind him. Who knew he’d one day become the guy for big budget Hollywood end-of-the-world scenarios? Well at least a tag team partner of Captain Destruction Michael Bay. My first thought when sitting down to view this modern day classic—at the behest…

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REVIEW: 2012 [2009]

“We are taking the Bentley” Go figure, Roland Emmerich actually didn’t bore me to death with his latest disaster porn flick, ominously titled 2012. Oh he tried, padding this beast to over two and a half hours, that’s for sure, but for some reason—I can’t believe I’m saying this—it wasn’t horrible. Please don’t expect any critical acclaim or awards coming in, no, I didn’t say it was good, however, if you saw the trailer and thought it would be a successful choice to sit back and stuff your face with…

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