REVIEW: River [2021]

Live first. Her mother (Becki Hayes‘ Lois) has lived in this town her whole life and River Allen (Mary Cameron Rogers) knows she’d willing suffer the same fate unless she forces herself to leave right now. It wouldn’t necessarily be a bad fate—regrets or not, Lois seems to enjoy the life she’s carved out over the years as a single mother amongst friends that care about her—but how would River ever know if something better was out there if she simply accepted it without at least trying? So she tells…

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REVIEW: Mary Poppins Returns [2018]

It’s today or never. Not all live-action/animated hybrids from Disney of yesteryear live up to the nostalgic memories of youth (I’m looking at you Pete’s Dragon), but Mary Poppins is an exception. Maybe it was revisiting it after seeing the underrated Saving Mr. Banks for added context concerning craft and motivation or maybe it’s simply that its message, adventure, and fun combine to form a film that literally stands up to the test of time. Let’s face it: you don’t retain the same reverence through multiple generations over five decades…

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REVIEW: Into the Woods [2014]

“… And home before dark.” The involvement of Disney on any adaptation of beloved source material can’t help being a double-edged sword. On the one hand their clout and financial backing will ensure the production looks fantastic and attracts the type of talent worthy of the property. On the other their brand brings with it a very specific morality code and target demographic. What this means is that something as dark as Into the Woods and its satirical take on all our favorite fairy tales playing up the lecherous sexuality…

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REVIEW: Nine [2009]

“Imagination is God’s garden” Being the film version of a Broadway musical based on the Fellini film 8 1/2, it interested me to find out what the title meant. The Italian director’s odd half integer was in regards to the fact that he made a few short films, so the work was its number in his oeuvre. But director Rob Marshall has only made two previous, non-television features, so that comparison is a dead-end. Maybe it has to do with the nine women in lead character Guido’s life? Nope again,…

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