REVIEW: Dodgeball: A True Underdog Story [2004]

“So what are you dying from that’s keeping you from the finals?” I’m usually the guy who watches the trailer for a stupid raunchy comedy and instantaneously declares it unworthy of my time. For some reason, however, Rawson Marshall Thurber‘s Dodgeball: A True Underdog Story hit every mark necessary to have me believing it could actually be entertaining. I was unfamiliar with much of the cast save the three main leads—it introduced me to both Justin Long and Alan Tudyk—but something about the sheer absurdity of a major league, cable…

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REVIEW: Canadian Bacon [1995]

“We have ways of making you pronounce the letter ‘o’” Can you fathom a world where Michael Moore didn’t make documentaries? How would the liberal slant be passed on from generation to generation without his exploitation of poor Americans caught inside scripted “exposés” of corrupt governments and every Constitutional Right besides the one giving him freedom to make a living? Yes, I know I’m being hyperbolic—although also pretty much spot-on—but such a world was a possibility had his second film Canadian Bacon been a success. Fresh off the acclaim garnered…

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REVIEW: Men in Black II [2002]

“I see you neuralyzed another partner” There’s nothing like a lost memory trope to allow lazy screenwriters the opportunity to explain their film within the construct of its plot. Despite an inventive, tongue-in-cheek reenactment program hosted by Peter Graves about mysterious conspiracy stories ushering us back into the Men in Black universe, Robert Gordon and Barry Fanaro‘s subversion of their expository prologue is wasted. No one enjoys disembodied voices and scrolling text to describe backstory in a Kindergarten teacher’s tone of superiority, so why not poke some fun at the…

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REVIEW: Men in Black [1997]

“May I ask why you felt little Tiffany had to die?” Fresh off the success of Get Shorty two years prior, director Barry Sonnenfeld‘s still young but effective career found it’s biggest hit in the rollicking science fiction comedy Men in Black. Unfortunately for him, the film also proved to be his last cinematic work worthy of note after a solid Hollywood journey beginning behind the lens for Rob Reiner, Penny Marshall, and the Coen Brothers. Broader in his comic sensibilities than that more subversive duo, his handling of Ed…

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REVIEW: Marie Antoinette [2006]

“Let them eat cake” Sofia Coppola has risen in Hollywood to A-list status after her magnificent debut, The Virgin Suicides, and the over-long, funny at times, critical darling Lost in Translation. Due to the enormous success of Translation, she was able to rework the production, with a bigger budget, on her passion project Marie Antoinette. While trying to stick to historical accuracies when able, she crafted a loose interpretation of the young Queen’s life from leaving Austria for marriage until the fateful storming of the Bastille. Coppola’s father had success…

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