REVIEW: Welcome to the Punch [2013]

“Does she now? You look like Kenny Rogers.” Bolstered by a script ranking number three on the 2010 Brit List—a film industry tabulation of the best unproduced British screenplays—Eran Creevy‘s Welcome to the Punch goes a long way to putting the writer/director on our cinematic map. The guy has worked behind the scenes on projects […]

Top 25 Films of 2012

(short and sweet and to the point; culled from watching ~140 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: End of Watch directed by David Ayer #24: Amour directed by Michael Haneke #23: Moonrise Kingdom directed by Wes Anderson #22: How to Survive a Plague […]

REVIEW: Prometheus [2012]

“How far are you willing to go?” **Potential thematic spoilers** The age-old question has always been an unanswerable, “What is the meaning of life?” It’s a query that could easily be solved on an individual basis as far as wealth, family, success, fame, etc., yet so many desire the all encompassing knowledge we were possibly […]

REVIEW: Alien3 [1992]

“We’re on the honor system” After James Cameron reinvigorated the Alien franchise to huge success with his action-packed sequel Aliens, Twentieth Century Fox’s desire to keep going shouldn’t have surprised. Looking to retain the level of craftsmanship and professionalism of the first two installments, they tried bringing original director Ridley Scott back to helm an […]

REVIEW: Aliens [1986]

“Game over, man. Game over!” Leave it to über action champion James Cameron to turn a darkly serious sci-fi thriller into a brutally fun romp successful enough to spawn two more sequels and a separate spin-off series that has kept H.R. Giger‘s grotesque xenomorph relevant today. Fresh off the success of Terminator 2, Cameron joined […]

REVIEW: Alien [1979]

“What is Special Order 937?” When you hear the title Alien, images are conjured up of Bill Paxton having a mental breakdown, Lance Henriksen rapidly stabbing a knife through his fingers, and Sigourney Weaver‘s Ripley inside a mechanical forklift suit engaging a slobbering, hulking monster. The most fascinating thing about this comes not from how […]

Posterized Propaganda June 2012: Blockbusters Arrive, Creativity Stays Home

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: Life in a Day [2011]

“Because its a happy film. It has a happy ending” With its genesis coming from an idea to commemorate YouTube’s fifth anniversary, the enlistment of producer Ridley Scott and director Kevin Macdonald saw the concept expand into one of a feature film telling the world its own story of July 24, 2010. Culled from 4,500 […]

REVIEW: Robin Hood [2010]

“We are men of the hood, merry at your expense” I’ll start this out with the truth: Robin Hood is not Robin Hood—and that’s not a bad thing. You’ll catch on very early once you realize the name Robin Longstride for Russell Crowe’s lead character isn’t an artistic change because it rolls easier off the […]

REVIEW: The Hire [2001-2002]

“BMW recommends that you always wear your seatbelt” After watching the Parallel Lines series, my desire to revisit BMW’s The Hire was too much to contain. This thing was a cultural phenomenon, doing what no one had ever done, with a medium still untested at the time. Back in 2001, households across America were still […]

REVIEW: Parallel Lines [2010]

“Five very different films. One piece of dialogue” Bravo Phillips for coming up with one of the best marketing maneuvers I’ve seen this side of BMW, (I still love The Hire and have the DVD). Not only did they commission five short films to comprise Parallel Lines, helping showcase their new Cinema 21:9 LCD TV, […]