REVIEW: Their Finest [2017]

“Authenticity, optimism, and a dog” As the Blitz raged and British soldiers continued to pour into Europe to try and push the Germans back, those left at home to take cover during air raids and do their part in factories still needed something to keep morale high when it all looked so futile. One such […]

REVIEW: Logan [2017]

“Does she remind you of anybody?” Calling any X-Men adaptation a gamble seems stupid considering the mass appeal comic book movies still hold at the box office, but Hollywood has a way of making those sentiments true when artists start bandying about the R-rated label. The standalone Wolverine films have seen what shying away from […]

REVIEW: Jackie [2016]

“When something’s written down—does that make it true?” It’s rather intriguing how we feel we know our presidents. They represent us as a leader of the free world and we in turn love them enough to mourn their passing even when it’s decades after their run in the Oval Office ceased. But what is it […]

REVIEW: Gosford Park [2001]

“I’m the perfect servant: I have no life” Watching Gosford Park again conjured thoughts about it being quintessential Robert Altman, thoughts I couldn’t conjure in 2001 considering it was my first true experience watching one of his films. It proves the perfect evolutionary end to a way of filmmaking he began over twenty years previous […]

REVIEW: Prêt-à-Porter [Ready to Wear] [1994]

“Taking advantage of others’ insecurities” I didn’t love The Player as much as I thought I would. Sometimes Robert Altman utilizes too many characters within a story that cannot sustain them as perfectly as we’d hope. It often works best in one-locale work like A Wedding and Gosford Park where the satirized theme is cohesive […]

REVIEW: The Player [1992]

“… with a heart” When thinking about a satire on Hollywood, the idea to glorify its luck, ego, and excess rather than vilify probably wouldn’t be the direction your mind gravitates towards. To some extent this may ensure the exercise will prove pointless because the message shifts from showing everything wrong that needs fixing into […]

TIFF13 REVIEW: Dom Hemingway [2013]

“A peasant at heart—with good hair and a strong liver” After finding a ton of work on television recently, it’s good to see writer/director Richard Shepard back in theaters with Dom Hemingway. I’m a big fan of both The Matador and The Hunting Party for their infectious humor despite somewhat mainstream stories. So, learning his […]

REVIEW: How to Get Ahead in Advertising [1989]

“If it hasn’t got a price tag, it isn’t worth having” It is fascinating that after viewing How to Get Ahead in Advertising I began to think of similarities to Terry Gilliam’s adaptation to Hunter S. Thompson’s Fear and Loathing in Las Vegas. Both are very much comedies, yet in a more cerebral, dialogue driven […]