Online Film Critics Society Ballot 2018

Below is my December 27th ballot for the 22nd annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2018 calendar year. Group winners are highlighted in red. (No option to abstain was supplied this year.) Best Picture #1If Beale StreetCould Talk #2You Were NeverReally Here #3Hereditary #4Eighth Grade […]

REVIEW: The Favourite [2018]

“We’ve been laying very different games” This isn’t your parents’ period piece. If the name Yorgos Lanthimos under the header of director didn’t already give you that impression, there it is. The Favourite has everything you’d expect from one, though: real-life characters, powdered faces and wigs, wars discussed from perches miles away from the battlefield, […]

REVIEW: The Mercy [2018]

“What if I tell them I’m here?” I had never heard of Donald Crowhurst before seeing James Marsh‘s film The Mercy. This is unsurprising since the British Sunday Times‘ Golden Globe Race of which he was a competitor occurred in 1968, not quite fifteen years before my birth. And if his would-be return-date to Teignmouth, […]

TIFF17 REVIEW: Disobedience [2018]

“We must then choose the tangled lives we live” It starts with a London-based rabbi speaking from his heart about the complexities of life. He stammers through—obviously ailing—until collapse. Suddenly we’re in New York City watching a photographer in-session with tattooed seniors. The phone rings and we know. She (Rachel Weisz‘s Ronit Krushka) is the […]

REVIEW: The Light Between Oceans [2016]

“There’s always something to fix” Writer/director Derek Cianfrance isn’t done with cinematic tapestries of emotion quite yet as The Light Between Oceans fits his still burgeoning oeuvre perfectly. Based on M.L. Stedman‘s debut novel, the structure delivers a similar duality as both Blue Valentine and The Place Beyond the Pines before it. We spend so […]

REVIEW: The Lobster [2015]

“That is none of your concern” Writer/director Yorgos Lanthimos‘ English language debut The Lobster is a dystopian sci-fi romance depicting a world where Paula Abdul doesn’t exist. If these mechanical creatures devoid of emotion heard her 1988 single “Opposites Attract” their woes of the heart might be eased. I say this because while life is […]

REVIEW: Youth [2015]

“Levity is an irresistible temptation” What strange beauty writer/director Paolo Sorrentino finds within the sadness of his palatial Swiss Alps resort’s inhabitants in Youth. The story plays like a surrealistic existential revelation—the aftermaths of each character’s crisis as they discover exactly who they are in the midst of tragic knowing. Age transforms bodies and minds […]

REVIEW: Constantine [2005]

“You still trying to buy your way into Heaven” At the height of the first new wave of comic book adaptations, Warner Bros. delved a little deeper into the literary medium’s annals for something dark like New Line’s Blade. It was three years before Iron Man ushered in cinematic universes and a year after Spider-Man […]

INTERVIEW: Adam Brody, star of Some Girl(s)

Best known as geeky Seth Cohen on “The O.C.”, Adam Brody has become a familiar comedic face in Hollywood over the past decade. With a recent turn in Whit Stillman‘s Damsels in Distress and now this Neil LaBute adaptation from his own play Some Girl(s), however, he’s beginning to branch out towards scripts and filmmakers […]

REVIEW: Oz the Great and Powerful [2013]

“What’s the third up?” I have to reevaluate my distaste for everything Oz not existing inside the mind of Dorothy Gale now that I’ve discovered Victor Fleming’s seminal work The Wizard of Oz wasn’t as faithful to its source material as I once assumed. I could never ignore how the simple attempt to craft a […]

REVIEW: The Deep Blue Sea [2011]

“Beware of passion. It always leads to something ugly.” Almost fifty years after its publishing, Terence Rattigan‘s play The Deep Blue Sea has made it back to the big screen in an adaptation by writer/director Terence Davies. In a year with two British stage revivals, it only seems fitting that the original 1955 film starring […]