REVIEW: Game Night [2018]

“It worked for Hitler” I never watched a trailer for Game Night because the posters looked lame and it came out at a time when I couldn’t watch it in a theater. So when the almost universal praise landed to hail it a dark comedy must-see of 2018 … I still didn’t watch the trailer. This wasn’t some premeditated act, though. I simply knew I’d eventually catch it and therefore didn’t need to be oversold or conversely given any undue reason to question the acclaim. As a result I was…

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TIFF17 REVIEW: Disobedience [2018]

“We must then choose the tangled lives we live” It starts with a London-based rabbi speaking from his heart about the complexities of life. He stammers through—obviously ailing—until collapse. Suddenly we’re in New York City watching a photographer in-session with tattooed seniors. The phone rings and we know. She (Rachel Weisz‘s Ronit Krushka) is the daughter of that rabbi and he has passed away. The assumption is that both these worlds will subsequently collide in reunion. Tears will be shed and hugs had. But that’s not quite the case with…

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REVIEW: Doctor Strange [2016]

“It’s not about you” People love to complain about superhero origin story trappings and they’re correct. The need to introduce new characters in their own standalone piece forces writers and directors to focus on certain check stops as far as normal life, transformation, and the embracing of one’s power to find the courage to selflessly fight evil. But just because these things are obvious doesn’t mean they have to be boring or that they have to diminish the final product. Many Marvel Universe fans still laud Iron Man as this…

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Picking Winners at the 88th Annual Academy Awards

For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: Here’s hoping Chris Rock does his best Ricky Gervais as far as not caring about political correctness or duty to kissing up to the celebrities all dressed-up nice because having him host the 2016 Oscars ceremony amidst the whole #OscarsSoWhite controversy is an opportunity not to be squandered. Two years in a row with no black actor/actress up for gold? That’s a major problem with The Academy and the…

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REVIEW: Spotlight [2015]

“What arraignment?” If Thomas McCarthy’s maligned fairy tale The Cobbler provided any help in securing money to put his script Spotlight in front of cameras, it was worth every disparaging word thrown its way. Co-written with Josh Singer, this 2013 Blacklist alum proves an informative and accurate look at the investigative journalism process as well as an engrossing exposé that refuses to let go despite our knowing the story it exposed. Much like famed predecessor All the President’s Men, audiences arrive keenly aware of the Catholic Church scandal at its…

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REVIEW: Southpaw [2015]

“This is the talk you get when you lose not when you win” The origins of Southpaw are interesting because it was born from screenwriter Kurt Sutter‘s want to collaborate with Eminem. Now try to picture Marshall Mathers after peering upon any of the bloodied and crazed publicity stills of his replacement Jake Gyllenhaal without laughing. Sutter has said the boxing aspect of the script was meant as a metaphor for the rapper’s personal struggles and the fight for his daughter is exactly that. He hoped the project would prove…

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REVIEW: A Most Wanted Man [2014]

“You can’t undo what’s done” You wouldn’t be wrong to assume a lot of what’s happening during the course of A Most Wanted Man are red herrings steering us away from the truth it’s suspense thriller hides, but you would be mistaken. What I love about John le Carré—admittedly removed from his text in my only being familiar with cinematic adaptations of his work like the underrated The Constant Gardener and the taut Tinker Tailor Soldier Spy—is that there never seems to be any superfluity. Instead he finds a way…

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REVIEW: About Time [2013]

“Did you have trouble parking?” It will be a shame if rumors stating About Time is Richard Curtis’ last film as director are true because he’s had fantastic success with the vocation. He’ll remain in the industry either way being that he’s equally proficient with screenplays (War House and Notting Hill) and TV (“Black Adder” and “Mr. Bean”), but one has to wonder whether Love Actually or The Boat That Rocked would have been as memorable were he not at the helm. You could easily say “yes” due to the…

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Posterized Propaganda November 2013: ‘Ender’s Game,’ ‘Nebraska,’ ‘Frozen,’ ‘Oldboy’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Summer is here! Well, at least the summer we hoped to have when the sun was still shining out my window. Yes, the requisite Oscar bait arrives with a few…

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Posterized Propaganda August 2013: ‘Elysium,’ ‘The World’s End,’ ‘Short Term 12′ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Summer is coming to a close with a five-Friday August jam-packing all the leftover big budget actioners that have been biding their time to distance themselves from the likes of…

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TIFF12 REVIEW: To the Wonder [2013]

“In a dream you can’t make mistakes” For any who thought Terrence Malick‘s The Tree of Life was a divisive piece of cinema, you haven’t seen anything yet. Continuing to strip the very medium of film down to its barest essentials, form once again trumps narrative in his beautiful account of love through memory, To the Wonder. A glimpse into the joy, pain, sacrifice, and compromise of binding oneself to another body and soul, Malick shows us how complicated this concept of physical and emotional connection is. Told through the…

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