REVIEW: Point Break [2015]

“Do you own a suit, son?” We’ve officially come full circle. Point Break arrived in 1991 with more cheese than a Green Bay Packers game and ten years later a fresh generation got to enjoy an ambiguous cops and robbers romp that moved the same basic plot from ocean to streets with The Fast and the Furious. It’s probably an obscure connection at best, but the cinematographer of than unofficial remake, Ericson Core, just happens to now be the man to bring a brand new version of the original story…

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REVIEW: Point Break [1991]

“Sir, I take the skin off chicken” ***SPOILERS*** I’m thankful I always saw Point Break as stupid fun watching it years ago because there’s no way I could ever take it seriously today. But rather than have the decade-spanning The Fast and the Furious rip-off saga and hilarious spoofing in Hot Fuzz among others ruin it by pointing out its well-documented flaws, they’ve instead enhanced my enjoyment. Any filter that may have allowed me to acknowledge it as a “90s classic” like some still do was removed ten years ago…

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REVIEW: Furious 7 [2015]

“You never could take a punch” There’s something about this series that’s transcended any intellectual discussion about cinema. How else does a lamely derivative version of Point Break substituting waves with cars spawn six sequels in fifteen years? Think about that. 2 Fast 2 Furious was so bad that star Vin Diesel turned down a twenty-five million dollar payday to be in it. Then the third entry threw everything out the window but horsepower and took things international across the Pacific. This is where the taste of its potential began,…

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REVIEW: Fast & Furious [2009]

“He used to date my sister” While only grossing half of its predecessor’s haul to make it seem as though Paul Walker‘s absence was a huge box office hindrance, Tokyo Drift still almost doubled its budget despite no discernible connection to the franchise that spawned it until the very end (minus its drag racing theme). It was apparently enough for the studio to gauge interest and see whether the quickly fading from public consciousness Walker and Vin Diesel wanted some easy money. With director Justin Lin‘s visual style alongside screenwriter…

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REVIEW: 2 Fast 2 Furious [2003]

“I’m not going back to Barstow” It would appear that we have Michael Brandt and Derek Haas to blame (thank?) for the sudden change from overwrought melodrama to self-aware comedy I would attribute to giving the Fast and the Furious franchise its longevity. Being that I had only ever seen the first, fifth, and sixth installments, I wasn’t quite sure what happened in between because, while I enjoyed the latter two, I simply couldn’t get into the original. Not only was it riffing on Point Break the wrong way by…

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REVIEW: Fast & Furious 6 [2013]

“You wanna catch wolves? You need wolves.” It’s family reunion time in the Fast & Furious franchise as its creative team consisting of director Justin Lin and writer Chris Morgan expand the arc they began seven years ago with Tokyo Drift. The one installment without tough guy scowls from Paul Walker’s Brian or Vin Diesel’s Dom (although the latter did cameo), it’s out of chronological order existence had only since been alluded to via the continued participation of Sung Kang’s Han. Fast Five brought Brian’s old friends from 2 Fast…

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Posterized Propaganda May 2013: Super Sequel Summer with ‘Iron Man,’ ‘Hangover,’ ‘Star Trek,’ ‘Fast & Furious’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. One of these years Alamo Drafthouse has to organize some crazy Mondo Tees sponsored summer where every big tent pole release receives a unique artistic interpretation on paper. They get…

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REVIEW: The Avengers [2012]

“In the end you’ll always kneel” It’s hard to believe the new Marvel cinematic canon began just four years ago—if anything just for the simple fact these actors have been contractually obligated to continuously work in the world for its duration. The new The Incredible Hulk released with much less poetic atmosphere and more action-based aesthetic akin to the universe the studio now wished to portray than Ang Lee‘s foray from 2003 and a comic tone was cemented in arguably the series’ best entry, Iron Man. Subsequently followed by Thor,…

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REVIEW: 30 Minutes or Less [2011]

“You? An adult? You had a Lunchables for dinner last night!” Hot off the success of his feature length debut Zombieland, director Ruben Fleischer reunites with Jesse Eisenberg to bring Michael Diliberti’s screenplay to life. Entitled 30 Minutes or Less, it can be easily deduced that Eisenberg’s Nick is a pizza delivery boy. Speeding through stop signs, red lights, and utilizing his parking brake for screeching 180s in order to satisfy customers and not have his paycheck docked for freebies, this is not the neurotic, socially challenged character we’re used…

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REVIEW: The Fast and the Furious [2001]

“I smell skanks” Ah, The Fast and the Furious, the film that launched the careers of Vin Diesel, Paul Walker, Jordana Brewster, and, for all intents and purposes, Michelle Rodriguez, (yes she starred in Girlfight previously). This foursome was so hot after this movie that some of them couldn’t demean themselves by starring in the sequel. Poor them as, just a short eight years later, they all jumped at the opportunity to reunite with fast cars in the fourth installment. Oh how the mighty fall, especially when they weren’t too…

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REVIEW: Near Dark [1987]

“Normal folks, they don’t spit out bullets when you shoot ’em” Before cult classic Point Break and sci-fi winner Strange Days, Kathryn Bigelow had an 80’s vampire gem called Near Dark. Having heard a lot of good word of mouth on this one, and my love for Days, I needed to check it out. Vampire films have a tendency to become redundant, always following rules and never being creative. Seeing 30 Days of Night add a little something to the genre, it was interesting to see what Bigelow and co-writer…

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