TIFF21 REVIEW: The Desperate Hour [2022]

I want this to end. Screenwriter Chris Sparling takes us back to the script that put him on the Hollywood map with The Desperate Hour (formerly Lakewood). Much like his isolated one-man show Buried, this latest focuses on a single character caught in a high-pressure situation with seemingly no way out. Unlike it, however, the real danger is far away from the screen. You see, Amy Carr (Naomi Watts) is safe. She woke up, texted work that she’d be taking a personal day, told the kids to go to school,…

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REVIEW: Salt [2010]

“Are you selling secrets for chemo?” The question is, who is Salt? Two years ago she was a falsely imprisoned utilities corporation worker being water-boarded by the North Koreans; an unspecified amount of time after she is a CIA operative who has been saved and traded back to the US, not by her bosses, but by the cover boyfriend who fell for her and started making waves in political circles; and, in the present day, she is accused of being a Russian covert plant—a part of the Soviet Union’s insane…

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REVIEW: Catch a Fire [2006]

“Hamba Kahle” Apartheid-era South Africa was a time of abuse and persecution by the white minority onto the black majority. The black South Africans were looked down upon and segregated at every turn. Any instance of fighting back was a sign of terrorism and treason. This film, Catch a Fire, is based on the true-life story of Patrick Chamusso whose life was turned upside. A man who was apolitical and loving to his family, Chamusso was unaccounted for during a span of time in which the oil refinery he worked…

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