REVIEW: King Arthur: Legend of the Sword [2017]

“We all look away” The magic has once again been returned to the lore of Excalibur in a way that brings it closer to World of Warcraft mysticism than Sword in the Stone trickery—for better or worse depending on your interests. I for one actually liked Antoine Fuqua‘s King Arthur from 2004, its decision to do away with the spells not wholly destructive to the very fabric of the myth like removing the Gods was to the debacle that is Troy (rather than an expertly placed hit, its ankle shot…

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REVIEW: Tommy’s Honour [2017]

“A man’s got to use every club he has” I’ve never been one for golf—playing or watching. I know many who feel the same and many of those who found themselves becoming fans during Tiger Woods’ heyday anyway. You can’t blame them for it either. Celebrity, national pride, and the excitement surrounding both are tough to combat. The draw therefore became peoples’ desire to see what Tiger did: which tournaments he won, who he beat, and by what margin. Golf became secondary to this hero’s allure like many other sports…

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REVIEW: Ghost in the Shell [2017]

“I give my consent” **Spoilers included** The backlash against Rupert Sanders‘ Ghost in the Shell remake has been fierce and constant—for good reason considering it’s inarguably racist. Is that racism intentional? Not necessarily, but it exists just the same due to choices made. While hyperbolic declarations about it being “the reverse Get Out” are exaggerated on an intellectual scale, they aren’t on an emotional one. You cannot decry people of color for getting incensed when a property very specifically connected to a race other than white is usurped by white…

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REVIEW: Starred Up [2014]

“Single cell. High risk.” The hype on Jack O’Connell is real. And I’m only basing that sentiment on one film. Something tells me, though, that Unbroken in a couple weeks and ’71 next year will succeed at corroborating the notion because his turn in David Mackenzie‘s Starred Up is simultaneously fierce and vulnerable like few his age are capable of portraying. He and his castmates surely had plenty of avenues for inspiration thanks to writer Jonathan Asser basing his script on true life experiences made while serving as a voluntary…

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TIFF13 REVIEW: A Field in England [2013]

“Open up and let the devil in” A coward becomes a man. I guess this is the crux of Ben Wheatley’s newest thriller, A Field in England. We find Whitehead (Reece Shearsmith) hiding in the bushes while mortars explode around him during battle, weeping and praying to God to keep him hidden now that his mission to find an elusive old comrade seems all but futile and way too dangerous. He runs, meets a few other deserters in a mid-17th century English Civil War pitting the Parliamentarians against the Royalist…

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