REVIEW: Jason Bourne [2016]

“And I heard you got hacked” In the nine years since Matt Damon last played amnesiac black ops assassin Jason Bourne, (eleven movie years considering the character exclaims he’s been running for three in The Bourne Ultimatum after The Bourne Identity bowed in 2002), there’s been a lot of chatter about making a reunion work only to have the actor and director Paul Greengrass emphatically say, “No.” It was with good reason too because they knew throwing a sequel together without a quality story that did justice to the original…

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REVIEW: The Bourne Supremacy [2004]

“It’s easy. She’s standing right next to you.” The idea that a sequel can best its predecessor is one that many people believe impossible save one or two exceptions to prove the rule. We’re talking The Godfather: Part II caliber stuff—prestige pieces with weight behind them for critical acclaim and box office success. So you may find me hyperbolic to say this, but I think The Bourne Supremacy belongs on this ultra short list. Don’t demean it by exclaiming how an action film doesn’t deserve to sit alongside a Francis…

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REVIEW: The Bourne Identity [2002]

“I guess you’re not home” It’s interesting to go back and watch Doug Liman‘s The Bourne Identity after so many years and sequels because it’s so unlike what Paul Greengrass accomplished during his tenure at the helm. The action scenes seem almost quaint in comparison with quick cuts and loud thuds. The kinetic excitement of extended take sequences is absent, replaced by choreographed images rather than limbs. It just goes to show how different the series’ origins were with espionage and spy thrills trumping the subsequently explosive hand-to-hand combat. This…

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INTERVIEW: John Ridley, writer/director of Jimi: All Is By My Side

After all the talk from last year’s TIFF centered around the eventually Oscar-winning Best Picture 12 Years a Slave, you can’t blame yourself for forgetting its Oscar-winning screenwriter John Ridley brought another film he both wrote and directed. Jimi: All Is By My Side flew under the radar and was mired by a media blitz intent on focusing around the fact it didn’t acquire the rights to any of its titular subject Jimi Hendrix‘s music. What it did have, however, was a uniquely arresting visual and aural style that looked…

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REVIEW: Captain Phillips [2013]

“A little air might do him some good” Despite my affinity for director Paul Greengrass‘ entries to the Bourne Saga, his cinéma vérité style will always in my opinion be better suited for gritty, true-life tales such as the contemporary classics Bloody Sunday and United 93. (We’ll just forget Green Zone ever squeezed its way into his oeuvre.) As a result, his attachment to Richard Phillips‘ harrowing tale of getting hijacked by Somali pirates and subsequently kidnapped as a hostage for ten million dollars was a perfect marriage from the…

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REVIEW: The Bourne Legacy [2012]

“We are morally indefensible and absolutely necessary” There was bound to be fallout after Jason Bourne ran amok avenging his girlfriend’s death and shutting down the government agencies that turned him into a cold-blooded killer. With his amnesia-induced morality’s push towards righteousness and its ability to turn executives like Pam Landy (Joan Allen) sympathetic to his plight, fixers behind the scenes of this CIA blunder realized public knowledge of Operations Treadstone and Blackbriar could risk exposing the myriad other similar programs being performed by high-level security officials doing their best…

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Posterized Propaganda August 2012: A Summer Lull

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. August isn’t fooling around with a ton of releases spanning both big budget and independent productions. I couldn’t even begin to talk about them all here—sorry Sparkle—but there sadly aren’t…

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REVIEW: Green Zone [2010]

“Don’t be naïve” Yep, that line above pretty much sums up the film Green Zone to perfection. It is not only used once, sober and matter-of-fact, but a second time as a retort with dry sarcasm. America invaded Iraq with the sole purpose of giving Saddam Hussein the boot and entrenching themselves into the very infrastructure of the country, causing it to not only have a puppet leader, but pretty much put their hand up the backside of the entire nation. At least this is what screenwriter Brian Helgeland would…

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Top 50 Films of the Decade (2000–2009)

As always, I have not seen every film made in the decade, so this list is only complete as of posting. There are those diamonds in the rough I’ve yet to witness that could render this entire list obsolete. The ‘Naughts’, I believe an appropriate term being used for the decade spanning from 2000–2009, the years we feared wouldn’t come thanks to Y2K, brought with them some amazing films. Technological advancements aside, this time period contained a number of singular auteurs both continuing on already stellar careers and others beginning…

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REVIEW: Bloody Sunday [2002]

“It’s just a nice Sunday stroll” When Paul Greengrass was named as the new director in the Bourne series, people had no idea who he was. When he began filming United 93, people wondered what a Brit was doing telling the story of a plane full of American heroes. The answers to these questions always seemed to make mention of the film Bloody Sunday. That reasoning, upon seeing Greengrass’s first major film, holds up strongly. What is now my favorite film of his, the story of that fateful day where…

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REVIEW: The Bourne Ultimatum [2007]

“He just drove off the roof” I have never been one to shy away from saying that most action films do nothing for me. Most times they’re blatant vehicles to blow stuff up, show off sexy models, and throw any semblance of reality or intelligence out the window. With that said, however, the Bourne series has been fantastic. Doug Liman ushered in a new take on action by using a more cinema verite style, showing the fights in full force while making our super spy someone we can relate to…

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