REVIEW: Green Room [2016]

“The energy doesn’t last” It’s official: Jeremy Saulnier‘s Blue Ruin was no fluke. That pulse-pounding thriller wowed audiences a couple years ago with good reason and his follow-up Green Room only advances that success further. It’s as though he looked upon the climax of his 2014 gem and wondered what it’d be like to mold that powder keg of suspense into a full-length feature. His latest puts his players in their predicament very early and watches as the victims try to escape and predators enter. The numbers are about even…

Read More

REVIEW: Run All Night [2015]

“Me and you” There’s something to be said about knowing exactly what you’re getting and Jaume Collet-Serra is proving consistent enough to deliver that promise through his films. Whereas Luc Besson spins a revolving door of directors to helm his actioners—mostly tongue-in-cheek, over-the-top fare (besides the original hit-maker Taken) he doesn’t deem worthy of his own eye behind the lens—Collet-Serra has carefully chosen a series of scripts from disparate scribes to supply him serious thrills with which to place his visual stamp. The common denominator between them being Liam Neeson…

Read More

Posterized Propaganda July 2011: ‘Pooh’ and Friends Trump ‘Monte Carlo’

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Photoshop: the Bad, the Really Bad, and Some Success You see it a lot these days—the dreaded floating head Photoshop hack job. July 2011 is no stranger to the…

Read More

REVIEW: The Messengers [2007]

“Farmer Sutra” Special sneak previews are always a good time. No matter what movie it is you are seeing, people will always pack the theatre who have been awaiting the film, like free stuff, thought it’d be something to do, or just got lost. Either way, no matter how good or bad the film, the audience alone will make it enjoyable. Now when said movie is a PG-13 pseudo-horror film (can you really delve into horror when the MPAA is on your back censoring everything?) you know there will be…

Read More