REVIEW: At Eternity’s Gate [2018]

“I am my paintings” Vincent Van Gogh is quite the enigmatic figure in the art world as a man whose genius was ahead of its time. His greatest works were painted in the final two years of his life while combatting multiple psychotic breaks and asylum stays. People called his art ugly and dismissed his […]

REVIEW: Annihilation [2018]

“Sometimes it’s beautiful” Reflections have been the subject of many fantasies whether it’s Through the Looking-Glass or Poltergeist III. The notion that a double exists in a different world conjures an unavoidable eeriness and the possibility of usurpation wherein fiction could become truth. It’s easy to therefore see the inherent duality as a good versus […]

REVIEW: Star Wars: The Last Jedi [2017]

“No one is ever really gone” If you ever saw a kids show during the Aughts you’ll be familiar with the educational tactic of repeating a message over and over again throughout an episode before repeating that episode each day of the entire week. This was a huge component of “Blue’s Clues” because it was […]

REVIEW: X-Men: Apocalypse [2016]

“And from the ashes of their world, we’ll build a better one” At a certain point Charles Xavier (James McAvoy) understands his pupils need more than just help controlling their powers in the X-Men universe. They must also learn to fight. He and Erik Lehnsherr (Michael Fassbender) had no choice but to battle forces of […]

REVIEW: Mojave [2016]

“I’m into motive-less malignity” I’m not sure what I thought William Monahan‘s Mojave would be, but it definitely wasn’t what followed the tense first fifteen or so minutes spent in the titular desert. We’re thrown into the world he creates to meet a man named Thomas (Garrett Hedlund) speaking philosophically about life and identity via […]

REVIEW: Star Wars: The Force Awakens [2015]

“There’s still light inside of him” First thing’s first: there’s probably spoilers in this review. Because let’s face it, anything besides me plainly stating that I loved it is construed as a spoiler to a fandom as intense as that of George Lucas‘ Star Wars saga. Will I go into lineages and deaths? No. Does […]

Online Film Critics Society Ballot 2015

Below is my December 12th ballot for the 19th annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2015 calendar year. Group winners are highlighted in red. Best Picture #1Inside Out. #2Carol. #3Spotlight. #4Ex Machina. #5Mad MaxFury Road #6Brooklyn #7The Revenant #8Room #9The Martian #10Sicario Best Animated Film […]

REVIEW: Ex Machina [2015]

“The history of man? That’s the history of Gods.” Artificial intelligence isn’t new. It’s in video games, toys, software platforms—most computer systems we interact with daily possess it in some capacity. The idea that one day someone will code a manufactured consciousness capable of becoming sentient, however, is still in the realm of science fiction. […]

REVIEW: A Most Violent Year [2014]

“You’ll never do anything harder than staring someone in the eye and telling them the truth” I remember being surprised when Margin Call—the little movie that could—came out. Writer/director J.C. Chandor earned an Oscar nomination for his screenplay before heading to virtual silence with his harrowing sophomore effort, the Robert Redford-starring All is Lost, a […]

REVIEW: Inside Llewyn Davis [2013]

“Llewyn is the cat” Can I chalk my ambivalence to the Coen Brothers‘ newest film Inside Llewyn Davis up to knowing nothing about the Greenwich Village folk music scene of 1961? It is after all loosely inspired by the life of Dave Van Ronk, containing aspects of his autobiography The Mayor of MacDougal Street for […]

Posterized Propaganda December 2013: ‘The Wolf of Wall Street,’ ‘Her,’ ‘American Hustle’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]