REVIEW: Inferno [2016]

“We’re a minute to midnight” America loves popcorn thrillers as much as Hollywood and that suits Dan Brown fine. Having Ron Howard and Tom Hanks take an interest in his character Robert Langdon definitely helps too, but the “bestseller” label would have been enough if lesser names attached instead. Whether or not Brown anticipated his […]

INTERVIEW: Olivier Nakache, cowriter/codirector of Samba

Olivier Nakache and Eric Toledano‘s (shown above at middle and right with Omar Sy) Intouchables was France’s Oscar hopeful in 2012 and did make the January shortlist. An infectious crowd-pleaser based on a true story, it vaulted Sy into stardom with a César win over The Artist‘s Jean Dujardin and ultimately co-staring roles in Hollywood […]

TIFF14 REVIEW: Samba [2014]

“Red paper. Then … no more.” Every movie should have a score by Ludovico Einaudi and it’s comforting to see Olivier Nakache and Eric Toledano agree. After using his haunting music on the brilliant Intouchables, the duo take a few tracks from his album In a Time Lapse to enhance their latest work Samba. Another […]

REVIEW: X-Men: Days of Future Past [2014]

“Mind the glass” If you have a storyline at your disposal capable of continuing two separate iterations of a single cinematic franchise simultaneously, you’d be a laughing stock not to take it. Credit Fox for seizing this opportunity to create something not even Marvel proper has dared to do quite yet. Would they have made […]

REVIEW: Intouchables [The Intouchables] [2011]

“We’ll escort you. It’s safer.” Leave it to my Americanized way of looking at things to go into the César Award-nominated French film Intouchables [The Intouchables] by thinking it would be yet another run-of-the-mill rich white guy helping poor black guy tale. With a Hollywood remake already in the works, I see our adaptation falling […]

REVIEW: Micmacs à tire-larigot [Micmacs] [2009]

“No, I am the vegetable crisper” With a literal translation of ‘Non-stop Shenanigans”, Jean-Pierre Jeunet’s Micmacs à tire-larigot is definitely his return to high-style comedy and proof he may in fact belong in an insane asylum. His last film, A Very Long Engagement, was a fantastic wartime document shot in his signature aesthetic, but it’s […]