REVIEW: Da Sweet Blood of Jesus [2015]

“You have not because you ask not” I backed Spike Lee‘s Kickstarted Da Sweet Blood of Jesus because I was intrigued by an auteur of his stature being left to his own devices on a project as captivating as what he’d set forth. He said it was “a new kind of love story”—one about human beings addicted to blood that’s funny, sexy, and bloody. It was therefore disappointing when the adjective “new” altered into “1973 remake”. Since I haven’t seen Bill Gunn‘s Ganja & Hess, however, I kept an open…

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REVIEW: 설국열차 [Snowpiercer] [2013]

“Is it time?” When talk surrounding the US release of Kar Wai Wong‘s The Grandmaster erupted in controversy about a truncated cut from the Weinsteins, cinephiles across the nation couldn’t help but let depression set in. Even so, no one could have been surprised by the decision because Harvey Scissorhands likes to streamline story for action whenever he can to trick American audiences into seeing a foreign film they wouldn’t otherwise care about. So when the same rumors started swirling around Bong Joon-ho‘s Snowpiercer, you had to fear for the…

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Top Ten Films of 2013: A year in cinema to write home about

2013 has been a banner year for cinema with a slew of quality pictures that makes you wonder how only nine got enough first place votes to earn an Oscar nomination for Best Picture. Most of my favorites could have filled that elusive tenth spot for some added acclaim—whether having a chance to win or not. I hadn’t even seen a good chunk of these until the calendar flipped to 2014, the sheer amount of winners was too vast. And after only awarding three films a 10/10 rating last year,…

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REVIEW: Stoker [2013]

“We are not responsible for what we have come to be” Despite being a new venture for both screenwriter and director, Stoker is the type of film that sticks with you whether you want it to or not. There’s an unsettling feeling from the first frame with Mia Wasikowska‘s India talking in voiceover as she roams through an overgrown field, spouting omnisciently philosophical musings while the image hitches as each credit appears. Clint Mansell‘s score helps create a foreboding sense of dread leading perfectly into the disembodied, blood-curdling scream that…

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Posterized Propaganda November 2013: ‘Ender’s Game,’ ‘Nebraska,’ ‘Frozen,’ ‘Oldboy’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Summer is here! Well, at least the summer we hoped to have when the sun was still shining out my window. Yes, the requisite Oscar bait arrives with a few…

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NYAFF12 REVIEW: 범죄와의 전쟁 [Nameless Gangster: Rules of the Time] [2012]

“There’s no end to a man’s greed” Set against President Tae-woo Roh’s 1990 crackdown on organized crime in South Korea, 범죄와의 전쟁 [Nameless Gangster: Rules of the Time] places us into the wild life of a former Busan customs agent and the selfish games he plays with two of the city’s most notorious gangsters. Written and directed by Jung-woo Ha, the film being hailed as its country’s Goodfellas sifts through time in order to illustrate this man’s odd trajectory from crooked civil servant to crime syndicate boss while discovering whether…

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REVIEW: 악마를 보았다 [I Saw the Devil] [2010]

“You already lost” No one seems to know how to do a revenge flick like the South Koreans. You could infer this is caused by the strife they’ve been enduring for so long with their neighbors to the north or maybe they just possess some of the most violent and volatile minds in the world. With 악마를 보았다 [I Saw the Devil], writer Hoon-jung Park and director Jee-woon Kim have crafted a two and a half hour long epic of evil versus evil. Because even though Special Agent Kim Soo-hyeon…

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REVIEW: Repo Men [2010]

“Ask me about my lips” I had been waiting for over a year to finally see Repo! The Genetic Opera and while I enjoyed it thoroughly, it wasn’t the masterpiece I had hoped it’d be. Very easily a cult classic in its eccentricity, I thought maybe Hollywood decided to piggyback the concept and make a more mainstream actioner out of the subject when the announcement of Repo Men came down the pike. In reality, however, the new film is based on a novel titled The Repossession Mambo by Eric Garcia,…

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REVIEW: 300 [2007]

“Sparta!” This is what film was destined to evolve to. After decades of directors making storyboards as reference before filming and the slow building trend to adapt comic book work, we finally have the ultimate fusion of both. Sure Sin City did amazing things with the medium and created frame-by-frame transfers from drawing to celluloid, however, it was still shot as a movie first and foremost. Zack Snyder has done something different with 300; he has created a true work of art. Frank Miller’s story was one steeped in truth…

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Top 25 Films of 2003

(short and sweet and to the point; culled from watching 85 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: American Splendor directed byShari Springer Berman& Robert Pulcini #24: The Lord of the Rings:The Return of the King directed by Peter Jackson. #23: Pieces of April directed by Peter Hedges.. #22: Master and Commander:The Far Side of the World directed by Peter Weir #21: Code 46 directed byMichael Winterbottom #20: Big Fish directed by Tim Burton. #19: Dirty Pretty Things directed…

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