REVIEW: Storks [2016]

“We never stop” While a bunch of adults were definitely having a good time during Nicholas Stoller‘s Storks, I’m not sure about their children. It wasn’t restlessness, though. If anything they were catatonic, a similar state as myself. Now I did chuckle at a few of the higher concept stuff because the absurdity of a […]

REVIEW: Neighbors [2014]

“We should go Mom tipping later” After respectively writing and directing a short film that dealt with a manchild living in a storage unit who befriends one of the employees in hopes to stay, Brendan O’Brien and Andrew Jay Cohen have decided to go a bit less high concept with their feature screenwriting debut. But […]

REVIEW: Muppets Most Wanted [2014]

“It’s not easy being … mean” Is it a coincidence the Muppet renaissance follows the same trajectory as its subjects’ original cinematic saga? 2011’s The Muppets was enjoyable if not a tad overrated due to its story mirroring many of the beats that made 1979’s The Muppet Movie a classic. Revamping its road movie trope […]

REVIEW: The Five-Year Engagement [2012]

“The Taxman waits for no one” Writer/actor Jason Segel and writer/director Nicholas Stoller have been working with each other for years now, both cementing their membership in Judd Apatow‘s comedic entourage on “Undeclared”. It was their first cinematic collaboration—Forgetting Sarah Marshall—however, that put them on the map as a creative team worth keeping in the […]

REVIEW: The Muppets [2011]

“Laughter, the third greatest gift of all!” If you saw Forgetting Sarah Marshall, it’ll be no surprise that Jason Segel and Nicholas Stoller were chosen as the ones to bring The Muppets back to the big screen. Almost three decades since the last true Muppet movie besides their literary adventures after Jim Henson’s untimely death, […]

REVIEW: Get Him to the Greek [2010]

“Please press seven for fellatio” The glory that is Russell Brand’s character Aldous Snow in Forgetting Sarah Marshall stems from two words: supporting role. On paper, expanding the obnoxious and vain sexual deviant’s background part to head up his own vehicle seems like a slamdunk—and it is to some respect. Although it underperformed at the […]