REVIEW: Hellboy [2019]

It looked bigger in the cartoon. There’s no getting around the fact that Lionsgate did Guillermo del Toro dirty by not extending him an invitation to complete his Hellboy vision with a third film. Whether their decision was due to whatever rubric used to measure the franchise’s success (that they’d willingly reboot the property so soon shows it was viable enough) or creator Mike Mignola wanting to bring things back to where he thought they should be (as was floated around), they turned their back on a soon-to-be Oscar winning…

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REVIEW: Centurion [2010]

“A man without his word is no better than a beast” Writer/director Neil Marshall has style and hopefully will continue to bring it forth on cinema screens for years to come, if he decides to travel back to America or not. Many lesser auteurs would have taken that Hollywood payday and looked for another to follow. Marshall, however, hot on the success of his spelunking horror/thriller The Descent, made Doomsday with US money only to see it falter out of the starting gate. Perhaps he had deals to remain stateside,…

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REVIEW: The Descent: Part 2 [2010]

“Six girls came into this cave, one came out” Despite trying really hard to capture the magic of Neil Marshall’s The Descent, its sequel doesn’t come close. The Descent: Part 2 so blatantly wants to mirror its predecessor that there are tons of shots mimicking, frame for frame, old scenes. And that’s when you aren’t watching actual footage from the first film on camcorders or through Sarah Carter’s mind. But other than those rip-offs, all subtlety whatsoever has disappeared as the filmmakers decide to include ten times as much blood…

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REVIEW: Doomsday [2008]

“You don’t see that everyday” Forget all the subtle and nuance of mood from Neil Marshall’s taut thriller The Descent; he decided to go all out with the new flick Doomsday. Call it 28 Weeks Beyond Thunderdome if you’d like as Marshall seems to cull all the best aspects of past cinema B-movie greats to create a pastiche that is one helluva ride. With a plot that serves only to give us an excuse for action and borderline comical characters introducing us to the punk-metal cannibal way of life as…

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REVIEW: The Descent [2005]

“Love every day” I am not a big fan of the horror genre. Many of them are just too campy or schlocky to be terrifying, too derivative of each other, or too slow and drawn out while trying to be suspenseful. Besides the first two masterpieces of the Hellraiser series and the original, read only good, Texas Chainsaw Massacre, I could do without the genre completely. I don’t mention Hostel here, because as I’ve said in my review for that film, it isn’t as much a horror as a thriller…

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Top 25 Films of 2005

(short and sweet and to the point; culled from watching 93 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Hauru no ugoku shiro[Howl’s Moving Castle] directed by Hayao Miyazaki #24: Good Night,and Good Luck directed by George Clooney #23: Joyeux Noël[Merry Christmas] directed by Christian Carion #22: The Descent directed by Neil Marshall #21: Kingdom of Heaven directed by Ridley Scott #20: 13 Tzameti directed by Géla Babluani #19: Batman Begins directed byChristopher Nolan #18: The Girl in the Café…

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