Top 25 Films of 2013

(short and sweet and to the point; culled from watching 220+ releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Mud directed by Jeff Nichols #24: Pacific Rim directed by Guillermo del Toro #23: The Conjuring directed by James Wan #22: Satellite of Love directed by […]

Top Ten Films of 2013: A year in cinema to write home about

2013 has been a banner year for cinema with a slew of quality pictures that makes you wonder how only nine got enough first place votes to earn an Oscar nomination for Best Picture. Most of my favorites could have filled that elusive tenth spot for some added acclaim—whether having a chance to win or […]

TIFF13 REVIEW: Joe [2014]

“Tell me something. You like funny faces?” Welcome back David Gordon Green. While it’s easy for me to say such a statement because I know his pedigree on paper, truth be told I’ve only ever seen one film of his before he dove into Hollywood comedies. It was his last before that period of his […]

TIFF13 REVIEW: Dallas Buyers Club [2013]

“I prefer to die with my boots on” How do you stretch having thirty days left to live into seven years? You put in the work. Ron Woodroff (Matthew McConaughey) didn’t journey towards opening up the Dallas Buyers Club in order to stage a revolution against the FDA—he simply sought to prolong his own life. […]

REVIEW: Mud [2013]

“Green beans never tasted so good” It’s a rarity to find a coming-of-age story set inside an adult-themed drama. Usually we’re made to watch adolescents caught inside the funny/awkward growing pains of puberty as lust and love and vanity and fear all mix into a pool of hormonal angst, embarrassment, and pratfall through comedy. Writer/director […]

Posterized Propaganda April 2013: Sleight of Hand With ‘Trance’, ‘42,’ ‘Upstream Color’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]