REVIEW: Zootopia [2016]

“Where anyone can be anything” In the tradition of Happy Feet (climate change) and Monsters University (fraternity life), Disney’s Zootopia has transposed adult themes onto PG-rated family fare again. Whereas those previous two were misguided—the former shoving a political agenda down kids’ throats without warning and the latter proving a weird stamp of approval on questionable activities we hope our children will show moderation towards—this one’s worthy cause of harmony and inclusivity is age-appropriate and universal. It takes a hard left into #BlackLivesMatter jurisdiction with blatantly satirical comments confusing youngsters…

Read More

REVIEW: Party Central [2014]

“Operation Party Central is a go” Turning to frat house humor for Monsters University was to me the largest misstep in Pixar Animation’s history. It took one of the studio’s most original worlds and made it into a gag to be blindly consumed by fans of Monsters Inc.‘s heart only to scratch their heads wondering how anyone could think this would be a viable avenue for children’s fare. Even so, I’m hardly surprised they decided to continue this line of thinking for their newest short film Party Central despite its…

Read More

Top Ten Films of 2013: A year in cinema to write home about

2013 has been a banner year for cinema with a slew of quality pictures that makes you wonder how only nine got enough first place votes to earn an Oscar nomination for Best Picture. Most of my favorites could have filled that elusive tenth spot for some added acclaim—whether having a chance to win or not. I hadn’t even seen a good chunk of these until the calendar flipped to 2014, the sheer amount of winners was too vast. And after only awarding three films a 10/10 rating last year,…

Read More

REVIEW: Toy Story of Terror [2013]

“And if something does happen to the potato—I don’t want to miss it!” While Disney/Pixar has dove into children’s television with Cars-centric offerings and a Buzz Lightyear spin-off, it’s surprising it’s taken this long to craft a primetime special. With what used to be a flawless feature film enterprise bolstered by award-winning shorts, perhaps they believed themselves above the small screen until now. But as Pixar evolves from luxury brand to simply one more animation arm of Disney proper, good press and high ratings aren’t something to ignore out of…

Read More

Posterized Propaganda September 2013: ‘Prisoners,’ ‘Rush,’ ‘Riddick’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Festival season is upon us, so forgive me if I’m more concerned with the films whose posters will be included in future posts than those releasing now. That’s not saying…

Read More

REVIEW: Despicable Me 2 [2013]

“Do not do your business on the petunias” When we last saw super villain Gru (Steve Carell) in Despicable Me he had just returned the moon to its rightful place in the sky, retired from evil, and become a father to the three sweetest little girls ever: Margo (Miranda Cosgrove), Edith (Dana Gaier), and Agnes (Elsie Kate Fisher). He had turned over a new leaf after youthful innocence thawed his heart a la how Cindy Lou helped the Grinch grow his in the classic Dr. Seuss tale. It’s the kind…

Read More

REVIEW: Monsters University [2013]

“Technically I caught the pig” I entered the theatre with low expectations and a willingness to be surprised, curious towards Monsters University’s trailers lacking plot description besides a generalized notion of witnessing Mike Wazowski (Billy Crystal) and Jimmy “Sulley” Sullivan (John Goodman) becoming best friends. What would first-time Pixar feature-film director Dan Scanlon and co-writers Robert L. Baird and Daniel Gerson have up their sleeves? How would they fill the inevitable gaping hole of not bringing back the adorable Boo from Monsters, Inc. due to their newest installment’s status as…

Read More

REVIEW: The Blue Umbrella [2013]

The biggest impediment to Pixar’s short film The Blue Umbrella is how close its release is to that of sister studio Disney’s Paperman last year. Its story set in an evening downpour depicts the love at first site of the titular colored parasol and his red counterpart bobbing over a city sidewalk. With an unspoken attraction and embarrassed stolen glances, their would be union’s demise is simply due to their owners traveling in different directions. But much like the paper airplanes of John Kars’ 2012 film, destiny wins out with…

Read More

Posterized Propaganda June 2013: The Apocalypse is Nigh With ‘Man of Steel,’ ‘World War Z,’ ‘This is the End’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Summer continues chugging along with the America and/or Earth threatened by destruction at every turn. Whether comic book adaptations, zombie wars, terrorist assaults or a giant pit opening up to…

Read More