Posterized Propaganda March 2014: ‘Noah’, ‘Nymphomaniac,’ ‘The Grand Budapest Hotel,’ ‘Enemy’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Has summer started early? Big blockbusters like Divergent, Noah, 300: Rise of an Empire, and Need for Speed are releasing in March—I guess they must therefore be the studios’ lesser…

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Posterized Propaganda August 2012: A Summer Lull

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. August isn’t fooling around with a ton of releases spanning both big budget and independent productions. I couldn’t even begin to talk about them all here—sorry Sparkle—but there sadly aren’t…

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Posterized Propaganda March 2012: Gimmicks and Blurs

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. We’ve come to March and still no posters to really write home about. The season of blockbuster tent poles and their litany of character posters begins, proving once more that…

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INTERVIEW: Michaël R. Roskam (writer/director) and Matthias Schoenaerts (actor), of Bullhead

Setting up my schedule for the Vancouver International Film Festival by rummaging through its website finding award-winners and acclaimed features worth checking out, it was still a bit of a happy accident I found myself in the Empire Granville 7 for a screening of Bullhead. Unaware of the press protocol for getting tickets due to it being my first day in the city, I found myself at the pass table about two hours too late from being in the tenacious daily morning queue. Miraculously, however, just a mere thirty minutes…

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Posterized Propaganda July 2011: ‘Pooh’ and Friends Trump ‘Monte Carlo’

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Photoshop: the Bad, the Really Bad, and Some Success You see it a lot these days—the dreaded floating head Photoshop hack job. July 2011 is no stranger to the…

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Limited Edition Posters

My collection of Limited Edition Posters. Most commissioned runs by Mondo Tees and/or The Alamo Drafthouse Cinema. Magnolia (Paul Thomas Anderson Director’s Series) by Joao Ruas 24″ x 36″ screen print for Mondo Tees. Hand numbered. Edition of 285. Nega Scott Pilgrim Vs. The World (variant) by Martin Ansin 24″ x 36″ screen print w/ metallic inks for Mondo Tees. Hand numbered. Edition of 140. Invisible Monsters by Kevin Tong 18″ x 24″ 4 color screen print. Hand signed & numbered. Edition of 200. Moon designed by All City Media;…

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