REVIEW: 12 Strong [2018]

“There are no right choices here” War films generally come in two varieties: a gray introspective look at its emotional and psychological cost and black and white jingoistic propaganda. The former is generally acclaimed as award worthy while the latter is dumped during winter months so its target audience of NRA-loving Republicans in American flag […]

REVIEW: The Shape of Water [2017]

“We’re all alone” Leave it to Guillermo del Toro to create an adult fantasy in the vein of Beauty and the Beast wherein there is no “beauty,” only the “other.” It’s one thing to read or watch a tale of overcoming the odds as a child with a specimen of perfection finding it in his/her […]

TIFF17 REVIEW: The Current War [2017]

“Star in a jar” The title is The Current War, but it’s subject is truly more history than battle. It’s flashier to think about our modern day electrical system as a conflict between two geniuses fighting for their vision’s victory, but the truth is more complex. Michael Mitnick‘s script understands this (mostly) despite the title […]

Picking Winners at the 89th Annual Academy Awards

The 89th Annual Academy Awards hits airwaves Sunday, February 26th, 2017 at 8:30pm on ABC. Buffalonians can watch it from the comfort of their home or take a trip down to these local destinations: • The Screening Room, The Boulevard Mall Free (doors open at 7:00pm) • Buffalo State College, Campbell Student Union Free with […]

Online Film Critics Society Ballot 2016

Below is my December 31st ballot for the 20th annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2016 calendar year. Group winners are highlighted in red. Best Picture #1Moonlight. #2Manchesterby the Sea #3Arrival. #4Jackie. #5The Witch. #6Hell orHigh Water #7La La Land. #8O.J.: Madein America #9The Handmaiden. […]

REVIEW: Nocturnal Animals [2016]

“Sometimes it’s not good to change things so much” One movie stood out in 2009: fashion designer Tom Ford‘s unlikely directorial debut A Single Man. It had style to spare and amazing performances (Colin Firth‘s Oscar loss was vindicated a year later), but its emotionality was its greatest strength. Ford created this tragic whirlwind and […]

REVIEW: Midnight Special [2016]

“Where do you belong?” Is young Alton Meyer (Jaeden Lieberher) the savior of the human race, born to unsuspecting parents inside a cult known as The Ranch in order to bring them salvation? Is he somehow an expert hacker infiltrating the NSA’s foolproof satellite transmissions courtesy of an uncanny technokinetic power no one can explain? […]

REVIEW: They Came Together [2014]

“I admire your spirit” It’s one thing to satirize the romantic comedy genre and a whole other to literally break it down into its myriad tropes to build a story around them without transforming their generic designations into fully formed characters. But that’s exactly what David Wain (co-writer/director) and Michael Showalter (co-writer) did with They […]

Picking Winners at the 88th Annual Academy Awards

For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: Here’s hoping Chris Rock does his best Ricky Gervais as far as not caring about political correctness or duty to kissing up to the celebrities all dressed-up nice because having him host the 2016 […]

Posterized Propaganda October 2014: ‘Gone Girl,’ ‘Nightcrawler,’ ‘Whiplash,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

FANTASIA14 REVIEW: The Harvest [2014]

“God doesn’t think he’s a doctor” I can see why director John McNaughton chose Stephen Lancellotti‘s script The Harvest to be his first feature length film in thirteen years, but I’m not sure it was worth the effort. There are some cool aspects to the horror thriller that may have worked better if its 104-minute […]