REVIEW: Piercing [2019]

“The terror must be in English” A marriage between the gorgeously disturbing imagery Nicolas Pesce delivered via his debut The Eyes of My Mother and the surreally warped sensibilities of Audition author Ryû Murakami definitely piqued my interest as far as the former’s adaptation of the latter’s novel Piercing. This psycho-thriller concerns new father Reed’s […]

REVIEW: Alice Through the Looking Glass [2016]

“Everyone parts with everything eventually, my dear” Now that the whole “should we reboot or create a sequel or just go ahead and do both at once” debacle is over thanks to Tim Burton‘s misguided Alice in Wonderland, maybe Disney’s desire to create an imaginative and surprisingly dark franchise of the absurd could find creative […]

REVIEW: Crimson Peak [2015]

“Beautiful things are fragile” If you truly want to know what to expect from Crimson Peak you should ignore the trailers—save their ability to highlight the gorgeous aesthetic—and instead read director Guillermo del Toro‘s mission statement. In it you’ll discover that this isn’t your usual horror story. Yes it has some jarringly gruesome visuals and […]

REVIEW: Maps to the Stars [2014]

“… Liberty” There are many versions of Hollywood I would never wish to live within—including the real one—but it appears those crafted by Bruce Wagner might be the most nightmarishly hedonistic, vile, and depressingly pathetic. A man who grew up in Los Angeles via Wisconsin and probably experienced many of the selfish acts of depravity […]

REVIEW: Only Lovers Left Alive [2014]

“A diamond emitting the music of a giant gong” In the age of Twilight its good to know an auteur like Jim Jarmusch can render contemporary vampires as the romantic ideals of immortality, wisdom, and survival any thought-provoking interpretation should. Gone is the CW brood from “The Vampire Diaries”, ostentatious displays of supernatural power courtesy […]

Posterized Propaganda May 2014: ‘Godzilla’, ‘Amazing Spider-Man 2′, ‘Maleficent’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: Stoker [2013]

“We are not responsible for what we have come to be” Despite being a new venture for both screenwriter and director, Stoker is the type of film that sticks with you whether you want it to or not. There’s an unsettling feeling from the first frame with Mia Wasikowska‘s India talking in voiceover as she […]

TIFF13 REVIEW: The Double [2014]

“It’s terrible to be alone too much” Comically dry like director Richard Ayoade‘s debut Submarine, his sophomore effort takes more than a few steps towards an even more arid realm of complete existentialist surrealism. Adapted by he and Avi Korine, The Double brings Fyodor Dostoyevsky‘s novella to the big screen with a surefire confidence in […]

Posterized Propaganda March 2013: ‘Stoker,’ ‘Place Beyond the Pines,’ ‘Spring Breakers’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: Lawless [2012]

“You still have the price tag on your coat” After The Proposition‘s grit and The Road‘s nightmarish post-apocalyptic vision, watching the trailer for John Hillcoat‘s newest film Lawless left a little something to be desired. Looking like an action flick about bootleggers standing against the law in a blaze of glory, all nuance from its […]

REVIEW: Albert Nobbs [2012]

“Life without decency is unbearable” I really enjoy films residing in the duplicitous limbo between aristocracy’s flights of fancy and the laborers at their beck and call. Rodrigo García‘s Albert Nobbs is the latest of such endeavors containing a little of its own singular intrigue as the dark secret of a meek little man’s identity […]