REVIEW: Mary Poppins Returns [2018]

“It’s today or never” Not all live-action/animated hybrids from Disney of yesteryear live up to the nostalgic memories of youth (I’m looking at you Pete’s Dragon), but Mary Poppins is an exception. Maybe it was revisiting it after seeing the underrated Saving Mr. Banks for added context concerning craft and motivation or maybe it’s simply […]

Top Ten Films of 2017

We pretty much knew last year’s Best Picture Oscars race was coming down to La La Land and Moonlight right after the completion of the Toronto International Film Festival in September. But while there’s something to be said about the strength of films able to ascend to frontrunner position, I can’t help loving the idea […]

Picking Winners at the 90th Annual Academy Awards

The 90th Annual Academy Awards hits airwaves Sunday, March 4th, 2018 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: This new look Academy is really starting to pay dividends. The fight for representation might have begun with a […]

REVIEW: The Post [2017]

“Quality drives profitability” Let’s be real: every Steven Spielberg film is a must-see, hype-driving machine. He’s a cinematic giant who rarely chooses a project to direct without extreme enthusiasm and artistic purpose (whether the result proves timeless or not). But no one could be blamed for letting excitement crescendo higher than usual upon hearing about […]

Picking Winners at the 89th Annual Academy Awards

The 89th Annual Academy Awards hits airwaves Sunday, February 26th, 2017 at 8:30pm on ABC. Buffalonians can watch it from the comfort of their home or take a trip down to these local destinations: • The Screening Room, The Boulevard Mall Free (doors open at 7:00pm) • Buffalo State College, Campbell Student Union Free with […]

REVIEW: Florence Foster Jenkins [2016]

“There is no one quite like you” I wanted to think that Florence Foster Jenkins intrigues specifically because her story couldn’t occur today as it did then. So many contemporary celebrities willfully embrace their lack of talent now, monetizing themselves into greater successes than those with the merit to earn it. Her level of delusion—to […]

The 87th Oscars recap through tweets …

I’m not sure why I keep filling myself with false hope that the Oscars will one day be an entertaining show to watch. The optimism is almost completely unfounded by this point. Whether they go weird (Anne Hathaway and James Franco), safe (Billy Crystal), hip (Seth MacFarlane), or try and steal another show’s success (Neil […]

Picking Winners at the 87th Annual Academy Awards

Things look pretty cut and dry where the Academy is concerned in 2015. The Oscars are always a somewhat watered-down look at what really mattered in the past year of cinema and this installment is no exception. In fact, it may be all water at this point. That doesn’t mean there can’t be some intriguing […]

REVIEW: Into the Woods [2014]

“… And home before dark.” The involvement of Disney on any adaptation of beloved source material can’t help being a double-edged sword. On the one hand their clout and financial backing will ensure the production looks fantastic and attracts the type of talent worthy of the property. On the other their brand brings with it […]

REVIEW: The Homesman [2014]

“God will strike you down” I didn’t necessarily love The Homesman, but it’s hard not to respect it. This is a dark story in the desolate Mid-West with outlaw justice and remorseless murder surrounding the charitably selfless journey of Mary Bee Cuddy (Hilary Swank) and the three crazed women she’s taking across the Missouri into […]

Posterized Propaganda August 2014: ‘Guardians of the Galaxy,’ ‘Sin City,’ ‘Starred Up,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]