REVIEW: Wild Wild West [1999]

“Never drum on a white lady’s boobies at a big redneck dance” Let’s just say that Mel Gibson and Tom Cruise dodged a bullet by backing out of Wild Wild West during its seven-year gestation. Its script probably wasn’t nearly as off-the-wall goofy at the start considering their clout as actors, but I highly doubt either would have been up for the parody it became. While the 90s were all about the television adaptation anyway—Gibson went on to do the lackluster Maverick and Cruise the effective Mission: Impossible—I’m not sure…

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REVIEW: Odd Thomas [2014]

“I may see dead people, but by God I do something about it” It’s August 14th in Pico Mundo, CA and the world is about to end. Well, not the world per se, but the community young Odd Thomas (Anton Yelchin) resides. Sort of. He sees ghosts of dead people with unfinished business, a gift passed down by his crazy mother wielded in secret from everyone besides Police Chief Porter (Willem Dafoe) and girlfriend Stormy (Addison Timlin). But while it allows him to help the tragic, helpless souls wandering around…

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REVIEW: Men in Black 3 [2012]

“He didn’t say please” While strange for a Men in Black film to open with something other than a crashing spaceship, I’ll admit to being ecstatic for the alternative. Having the sexy Nicole Scherzinger lead us into the maximum-security prison housing one of the universe’s most notorious criminals definitely didn’t hurt either. What I really enjoyed about the pre-credit sequence to Men in Black 3, however, was that our introduction to Bogladite destroyer Boris the Animal (Jemaine Clement) seemed to get the series back on track as far as giving…

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REVIEW: Men in Black II [2002]

“I see you neuralyzed another partner” There’s nothing like a lost memory trope to allow lazy screenwriters the opportunity to explain their film within the construct of its plot. Despite an inventive, tongue-in-cheek reenactment program hosted by Peter Graves about mysterious conspiracy stories ushering us back into the Men in Black universe, Robert Gordon and Barry Fanaro‘s subversion of their expository prologue is wasted. No one enjoys disembodied voices and scrolling text to describe backstory in a Kindergarten teacher’s tone of superiority, so why not poke some fun at the…

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REVIEW: Men in Black [1997]

“May I ask why you felt little Tiffany had to die?” Fresh off the success of Get Shorty two years prior, director Barry Sonnenfeld‘s still young but effective career found it’s biggest hit in the rollicking science fiction comedy Men in Black. Unfortunately for him, the film also proved to be his last cinematic work worthy of note after a solid Hollywood journey beginning behind the lens for Rob Reiner, Penny Marshall, and the Coen Brothers. Broader in his comic sensibilities than that more subversive duo, his handling of Ed…

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REVIEW: Be Kind Rewind [2008]

“To all the films with heart, and soul” Thankfully, Michel Gondry has once again taken his warped mind and melded together a piece of work that is personal and touching, without ever going too far into sentimentality. For all of you who saw the trailer and think that either it will take a one-note joke and beat it to the ground or be out-loud funny at all turns, don’t bother watching because it is neither. I only wish I could have told the four 16-year old girls in front of…

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