REVIEW: A Beautiful Day in the Neighborhood [2019]

Anything mentionable is manageable. Anyone who grew up watching “Mister Rogers’ Neighborhood” has a friend. Their parents might have smiled at what they inaccurately presumed was a performance, but the children smiled because the connection felt was real. Here was a man who looked them in the eyes and spoke truths with as much compassion and vulnerability as they possessed while watching. He was someone who listened even though the act itself was impossible through television. Fred Rogers cared—sometimes when it seemed like no one else did—because he understood what…

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TIFF19 REVIEW: The Report [2019]

It’s based on science. It matters that Diane Feinstein and other Senators (John McCain included) fought to make the Intelligence Committee’s report on “Enhanced Interrogation Techniques” public because it held information the American people needed to know about how the CIA conducted itself after 9/11. While many would say the fact nobody has been prosecuted or held accountable since for what was laid out is the most important takeaway, however, I’d disagree. To me writer/director Scott Z. Burns distilled it in one line of dialogue during his cinematic adaptation of…

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REVIEW: The Post [2017]

“Quality drives profitability” Let’s be real: every Steven Spielberg film is a must-see, hype-driving machine. He’s a cinematic giant who rarely chooses a project to direct without extreme enthusiasm and artistic purpose (whether the result proves timeless or not). But no one could be blamed for letting excitement crescendo higher than usual upon hearing about his latest, The Post. Still in the midst of post-production on Ready Player One, Spielberg chose to drop everything while the visual effects artists did their thing to put Liz Hannah‘s script in front of…

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