REVIEW: Björk: Biophilia Live [2014]

“If you feel like dancing, don’t stop yourself” Icelandic musician Björk has always been somewhat uncategorizable with a career that’s uniquely evolved to the beat of her own electronic drum. There was the infamous swan dress, her critically acclaimed foray into acting for Lars von Trier‘s Dancer in the Dark, collaborations with cutting edge artists like Michel Gondry, Spike Jonze, and Chris Cunningham for memorably batty music videos, and the 2011 release of her eighth studio album as an iPad app. Partially recorded and composed on the device, Biophilia was…

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Posterized Propaganda January 2013: The Top 10 Movie Posters of 2012

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Another year is complete and the time has come to revisit the best one-sheets that did all they could to help their films achieve box office glory. Unsurprising to those…

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REVIEW: Dinner for Schmucks [2010]

“You can eat my pudding” When reading the synopsis for 1998s French film Le dîner de cons, I was surprised at how close to the new Americanized version, Dinner for Schmucks, it actually was. Both titles allude to the fact a dinner is involved—one hinging on the invitation of guests with high levels of idiocy. After all, the one to make company owner Fender (Bruce Greenwood) laugh most is awarded a trophy for his/her trouble; a chalice designating the winner as “Most Extraordinary” to his face, but “Biggest Loser” behind…

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Keith Schofield … Music Videography

Keith Haverbrook, Eric Schoman & Jeff Mayfield make up the directing collective known as Keith Schofield. It’s an award-winning team from Los Angeles, CA that has been crafting very innovative music videos since 2004, almost all of which utilize some sort of camera trick, using the artifice of the medium to lend a unique visual quality. You could say they just take gimmicks such as depth perception illusions, multiple layering where the background is on a loop while the foreground continues forward, or a rigged focal point axis connected to…

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TIFF09 RECAP: Connecting to Your World … and mine

Every year at the Toronto International Film Festival seems to get better and better. Is that due to the increase in films from six to eleven to fifteen? It very well might be. And I’ll just say now, watching fifteen films in less than four days may not be the healthiest thing in the world. Between the vendor sausage/chicken dogs/nitrates on a bun being easily accessible and a standard meal when going from one film to the next with barely enough time to catch your breath and the sheer fact…

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TIFF09 REVIEW: Visage [Face] [2009]

“You, you, you, you are so pretty!” Sometimes an image can get you excited to see a film. When looking to fill a hole in a five film day at TIFF, my friend and I saw an image that looked both fantastical and intriguing, so much so that we blindly said yes, we are going to watch Visage [Face]. I’m the first person to say that a movie can be loved for visual style alone as I always hold the image as more powerful than the word. Oftentimes I can…

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