REVIEW: Keanu [2016]

“It’s like smoking crack with God” After the massive success of former “MADtv” comics Jordan Peele and Keegan-Michael Key’s eponymous sketch comedy show “Key & Peele” it was only a matter of time before the duo would grace the silver screen together. It’s actually surprising that it’s taken this long (the Comedy Central property went for five seasons before being put on indefinite hold by the creators) considering Key is everywhere you look these days on TV and film. Peele is the one you don’t notice very much (and only…

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REVIEW: We’re the Millers [2013]

“That’s my credo, ‘No Ragrets’” An R-rated comedy shouldn’t possess a PG-rated heart. This is We’re the Millers’ main problem in my mind because while the profanity-laced adventure has a ton of laughs, one can’t help shake the feeling that it’s targeted to a 13-16 age group who won’t be allowed to buy a ticket. Overt sexual innuendo and f-bombs don’t make up for a lack of anything else that would render screenwriting teams Bob Fisher and Steve Faber or Sean Anders and John Morris to need an R for…

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REVIEW: Journey 2: The Mysterious Island [2012]

“They will not stop until you feed them” After making a boatload of money—that’s the equivalent to one hundred millions dollars if you didn’t know—Journey to the Center of the Earth was almost guaranteed a sequel. Proving they could bring the fictional worlds of Jules Verne to life and somehow make it relevant to a bunch of kids barely able to put down their Smartphones long enough to read a magazine let alone a dense volume of literature, nothing would stop the studio machine from taking the plunge to Atlantis…

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REVIEW: Arthur [2011]

“A savant-like gift of defying death with fun” Having been a child during the 80s, Dudley Moore will always be Patch, the elf that saved Christmas in Santa Claus [The Movie]. I had seen Arthur, and probably Arthur 2: On the Rocks—they were PG after all, even though my parents could have done better than allow me to possibly cultivate an alcoholic as a role model—but I can admittedly remember very little besides the nondescript plot synopsis available on any movie site. So, while I didn’t really have any attachment…

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REVIEW: Mr. Wonderful [1993]

“Find her another husband” Have I seriously been wired to assume I know how romantic comedies will end because so many of them are carbon copies of each other these days? It is like every entry to the genre now has the boy and girl with the wild card ex serving as the plot point for which to break them up and eventually get them back together. It’s been so formulaic for the past decade and a half that I went into 1993’s Mr. Wonderful with the end already played…

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