REVIEW: Suspiria [2018]

“Of what do you ask?” I’m no big fan of Dario Argento‘s Suspiria. It’s a gorgeous film overflowing with mood and aesthetic that ultimately becomes the poster child for style over substance before gradually revealing more to offer upon subsequent viewings. In the end, however, it still doesn’t add up to much besides its place […]

REVIEW: Call Me By Your Name [2017]

“‘Cause I wanted you to know” It wasn’t until three-quarters of the way through Luca Guadagnino‘s Call Me By Your Name that I finally began to understand the almost universal praise bestowed upon it since debuting at Sundance. Up until then it merely felt like a familiar coming-of-age film wherein the teenager in question was […]

REVIEW: A Bigger Splash [2015]

“Try not to frighten the horses” More than loosely based upon Alain Page‘s 1969 French script La Piscine, Luca Guadagnino finally follows up his magnificent I Am Love with A Bigger Splash, his first narrative fiction since. It tells the story of a rockstar legend (Tilda Swinton‘s Marianne Lane channeling Ziggy Stardust) and her long-term […]

Top Ten Films of 2010: Dark Fantasy Cinema

This list is accurate as of post-date. So many films and not enough time to see them all—141 seen is this year’s number—the potential for future change is inevitable, but as of today here are the best … I remember thinking around April that there hadn’t been a truly great film released yet. After summer […]

Top 25 Films of 2010

(short and sweet and to the point; culled from watching 156 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Restrepo directed by Tim Hetherington& Sebastian Junger #24: Trust directed by David Schwimmer. #23: Kick-Ass directed by Matthew Vaughn. #22: Christina directed by Larry Brand. #21: […]

360|365FF10 REVIEW: Io sono l’amore [I Am Love] [2010]

“‘Happy’ is a word that makes one sad” It only took one look at the American poster for Io sono l’amore [I Am Love] to know I needed to see the film. The use of typography over an elegant family portrait, blocking every face but star Tilda Swinton’s, is gorgeous and much more relevant to […]