REVIEW: Prêt-à-Porter [Ready to Wear] [1994]

“Taking advantage of others’ insecurities” I didn’t love The Player as much as I thought I would. Sometimes Robert Altman utilizes too many characters within a story that cannot sustain them as perfectly as we’d hope. It often works best in one-locale work like A Wedding and Gosford Park where the satirized theme is cohesive and everyone interacts with everyone else. The reason his Hollywood roast did succeed enough for me to enjoy, however, is that it had a lead. We followed Griffin Mill around the studio lot as the…

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REVIEW: Maze Runner: The Scorch Trials [2015]

“Where did you come from? Where are you going? How can I profit?” Full disclosure: I haven’t yet read James Dashner‘s Maze Runner series so I’m not sure if his second installment is as hollow as the film version, but I hope it isn’t. Many people have told me that T.S. Nowlin‘s script virtually rewrites the entire thing—not always bad (see Insurgent bookending its tale correctly despite changing the middle to be more cinematic)—so I’m retaining my optimism the text lives up to the first story’s potential because what director…

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REVIEW: The Conjuring [2013]

“There’s usually always some rational explanation” After watching the cinematic account of the Perron family’s plight in 1971 during James Wan‘s The Conjuring—alongside a brief view at Annabelle, the creepiest little possessed doll ever—it’s hard to believe paranormal investigators Ed and Lorraine Warren’s most infamous case of demonic insanity was Amityville. Described as the story that couldn’t be told until now via an opening text-based screen crawl reminiscent of the original Texas Chainsaw Massacre, the events that occurred in Roger (Ron Livingston) and Carolyn’s (Lili Taylor) Rhode Island home are…

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Posterized Propaganda July 2013: ‘Only God Forgives,’ ‘Pacific Rim,’ ‘Fruitvale Station’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Welcome to the heart of the summer folks—where giant robots, faux Native Americans, retired CIA operators, and mutants come out to play. It’s a tough time of year for true…

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REVIEW: Starting Out in the Evening [2007]

“You gave me the courage to live life for myself” In a time of year when most films entering the public arena are either devoid of intelligence or dumped for release in attempts to recoup just a little of their budget, it is nice to know we in Buffalo still get the off the beaten track indies to satiate those looking for an evening of pondering and contemplation. Starting Out in the Evening is one of those movies, despite the fact that it comes to DVD in a little over…

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