Posterized Propaganda August 2012: A Summer Lull

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. August isn’t fooling around with a ton of releases spanning both big budget and independent productions. I couldn’t even begin to talk about them all here—sorry Sparkle—but there sadly aren’t…

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Posterized Propaganda June 2012: Blockbusters Arrive, Creativity Stays Home

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Summer is here and the marketing materials look as vapid as the films. Not to say there isn’t a couple gems coming to multiplexes with blockbuster budgets; there simply aren’t…

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Posterized Propaganda March 2012: Gimmicks and Blurs

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. We’ve come to March and still no posters to really write home about. The season of blockbuster tent poles and their litany of character posters begins, proving once more that…

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REVIEW: Weekend [2011]

“I had to save you from the Hobbit” In a year with plenty of romantic dramas depicting the chance meeting of strangers and their quest to be together—Like Crazy and One Day amongst others—it’s sad to realize the one that hits hardest probably won’t be seen. The fact Netflix lists it as Gay & Lesbian rather than Romance proves Weekend‘s Glen’s (Chris New) sentiments about our culture’s continual lack of acceptance. He knows that even if a gallery shows his amateur art project of recorded thoughts about his nightly partners’…

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VIFF11 REVIEW: Like Crazy [2011]

“To you who make me see things I could never see alone” How much is one summer of euphoric love worth? To Jacob (Anton Yelchin) and Anna (Felicity Jones)—the world. Courted through a shy, sweet process of stolen looks and a mix of intellectual and sexual longing, these two college students begin a whirlwind affair without regard for the legalities of her eventual return to England once her student visa expires. Bureaucratic nonsense like that couldn’t be farther from their minds as a relationship builds, improves, and cements itself as…

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Posterized Propaganda October 2011: Faces Take the Spotlight

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Thank goodness for the fall season. Not only are the films better, but the artwork generally has its own yummy indie flavor too. Close-up faces covered by sans-serif text reign…

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